Glass Ghost: LYFE
Since the release of their debut album Idol Omen in 2009, Glass Ghost's founding members Eliot Krimsky and Michael Johnson have kept busy. In addition to playing dozens of shows, including a tour with White Rabbits, Johnson joined Dirty Projectors as their new drummer, Krimsky has been collaborating with Here We Go Magic on keys, and the duo welcomed two new members to the group, Tyler Wood on keyboards and percussion, and Aerial East on vocals. Like their debut, LYFE was produced by Tyler Wood, who also produced Joan As Policewoman's 2014 album The Classic. For the LYFE recording sessions, the group recruited many of their friends to contribute, including Joan Wasser of Joan As Policewoman, Nat Baldwin of Dirty Projectors, and Christopher Tignor of Slow Six and Wires Under Tension. Pushing their songs to new levels by working with Brooklyn's musical elite is nothing new for Glass Ghost. They worked with more than a dozen of their friends from Brooklyn's music community, including Sharon Van Etten (who in 2011 noted "Eliot Krimsky is one of my favorite writers."), Here We Go Magic's Luke Temple, and Matt Iwanusa of Caveman, for their debut which was described by the New Yorker as "elegant compositions of frosted indie pop," and by Time Out New York as "weird and mournful yet highly rhythmic."
The Rosebuds: Sand + Silence
After recording some initial demos in North Carolina, The Rosebuds headed to Eau Claire, Wisconsin to record with their old friend and former band member Justin Vernon. Their comfort and connection with Vernon allowed them to stretch their creative limbs, as Vernon gently teased out some of the band's most stellar musical performances to date. With longtime collaborators Matt McCaughan on drums and BJ Burton co-producing and mixing the album, the band was able to quickly zero in on the dynamics and textures they wanted, while still feeling free to experiment with new styles and production ideas. The resulting songs are punchier, more confident, and more hook-laden than anything the band has produced before, without diluting the emotional foundation that defines the band.
Each of the 11 songs on Sand + Silence resonates with the unusual creative synergy that won't loosen its grip on Ivan and Kelly's cores. Their honesty and passion filtered through their refined songwriting skills make this album feel alive, pulsing with flesh and blood. In a pop culture dominated by canonized megastars, and ephemeral one-hit-wonders, the creative fire that refuses to stop burning within The Rosebuds makes the band and this album something truly special.
Secret Cities: Walk Me Home
In the wake of their 2011 album Strange Hearts, the three members of Secret Cities branched off in different directions. Charlie Gokey delved into Roy Orbison's ballads about losers in love while becoming a civil liberties attorney in Washington, D.C. Alex Abnos locked in to New Orleans soul masters like King Floyd & Dr. John as he became a journalist in New York City. And Marie Parker became a teacher in the band's spiritual home of Fargo, North Dakota.
Having met at band camp and on an internet message board, the trio had made music together for nine years without ever living together in the same city. After recording two albums and a handful of singles via email, they decided it was finally time to enter a real studio where they could play and record together in real time. They chose San Francisco's Tiny Telephone studio, where Jay Pellicci manned the controls for a week-and-a-half of the most spontaneous, democratic, and visceral recording of their lives. They emerged with Walk Me Home, an album that finally reflects their live chemistry and their diverging lives and musical tastes.
Alexander Turnquist: Flying Fantasy
As an accomplished 12-string guitarist/composer, Alexander Turnquist was naturally alarmed when the ulnar nerve in his left hand seized up in 2013, but after a surgical procedure he gratefully started the process of learning to play guitar again. His recovery was cut short when not long after the surgery he was hospitalized with meningitis. Though his recovery is ongoing, and he continues to struggle with a weakened immune system and memory loss, he was inspired to soldier on, rather than being deterred by his physical struggles.
Turnquist's latest full-length Flying Fantasy confirms the idea that out of great hardship can come great art. As he wrote the material for the new album it became clear that his sensitivity had sharpened, his empathy magnified, and his sense of purpose blossomed. The unfortunate circumstances he endured ostensibly forced his metamorphosis from a remarkable guitar player to a truly great composer. Much like the butterflies that adorn the album cover, he seems to have changed form and taken flight.
Nat Baldwin: In The Hollows
Despite his busy schedule recording and touring as the bass player for Dirty Projectors, Nat Baldwin found time to write and record his most soulful and ambitious collection of songs to date. After recording the initial tracks at Machines With Magnets in Pawtucket, RI, Nat recruited Otto Hauser (Vetiver, Lia Ices, Espers) for drums and percussion, and Rob Moose (The National, Antony and the Johnsons, Bon Iver) to write string arrangements.
Much of the album was written while Nat was training for a marathon at his home in Maine. Blending autobiographical details with fiction, the songs cover a wide range of topics including boxing, drowning, bodybuilding, target practice, will power, Steve Prefontaine, competition, separation, isolation, devastation, manipulation, conflagration, intoxication, and suicide.
Immersive, athletic, and often profound, In the Hollows represents his clearest and most consistent album-length statement, melodically, structurally, and lyrically. Nat explains that "I hope it is as unsettling as it is beautiful. I want it to make people feel things they can't describe."
Christopher Tignor: Thunder Lay Down In The Heart
In the 90's Christopher Tignor immersed himself in minimalism, working as an assistant for LaMonte Young while learning sound engineering on the job at a New York contemporary music festival produced by Philip Glass. He went on to refine his skills mixing live sound for bands at two of New York's seminal clubs, CBGB's and Brownies. More recently, Tignor has contributed his skills as violinist and string arranger both in the studio and on tour to This Will Destroy You, John Congleton's Nighty Nite, and Lymbyc Systym.
His sophomore solo album, Thunder Lay Down in the Heart features renowned Boston-based ensemble A Far Cry performing the 20-minute title piece. The album's additional tracks feature Tignor's electronic reimaginings of the title piece, creating spellbinding textures derived directly from the ensemble's gut-wrenching virtuoso performance. The album explores the natural link between numerous musical disciplines including contemporary classical, ranging from John Adams to Aaron Copland to John Luther Adams, melodic rock, ambient drone music, and electronic experimental artists such as William Basinski. Rachel Grimes (of Rachel's) collaborated with Tignor to produce the record's final piece, "First, Impressions."
Ava Luna: Electric Balloon
After years of writing and performing, Ava Luna has refined their doo-wop soul meets punk-as-fuck aesthetic into something bold and glaringly defiant in today's indie music landscape. Following the release of their critically lauded first proper full-length Ice Level, the band spent an intense 2-week period writing and recording in upstate New York. Unlike previous efforts that were meticulously mapped out, the songs that would become Electric Balloon were "... a family effort." according to frontman Carlos Hernandez. For the new album, former Columbia composition student Hernandez relinquished the reins a bit, opting for a more organic approach to writing the material for what would become Electric Balloon.
In the wake of Ice Level, Ava Luna's sharp edges have melted away just enough, making it easier to connect with their no-wave grooves and soaring harmonies. Distilling everything from James Chance and ESG to contemporaries like Dirty Projectors and Of Montreal, Ava Luna have landed on an aggressively unique sound that still manages to be accessible.