SC Distributon

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2016-02-05
DIIV: Is The Is Are

Is the Is Are, the highly-anticipated sophomore release from Brooklyn-based DIIV, is an album years and many personal struggles in the making for it's architect, Zachary Cole Smith. Recorded and mixed in various locations in Brooklyn, it showcases everything you know and love about DIIV, and many things you did not, all with an added nuance and depth. It is a 17-song, double-album statement intended to resonate with its audience in much the same way that Bad Moon Rising or Tago Mago has for Smith himself.

An extension and deepening of the musical ideas first expressed on 2012's critically-lauded Oshin, Is the Is Are yields a multiplicity of textures, lyrical themes, and moods. It is a more diverse world than Oshin, with different parameters and ideals. Dark and honest to a fault, the new songs are dynamic, loud, quiet, sad; they are songs that hiss and snarl; songs that, as Smith wrote recently, represent "the real me." Smith's vocals, too, are much closer to the foreground, layered legibly on top of tidal waves of shimmering guitar and melodic bass weaving in and out, leaving a distinct and indelible imprint.

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2016-02-05
Milk 'N' Cookies: Milk 'N' Cookies

Milk 'n' Cookies are the stuff of legends - or would be legends. Forming in the early 70s in Long Island, New York, this power pop group was originally signed to Island Records and seemed destined for greatness. Yet, through many cases of "wrong place, wrong time," the band never managed to break. The core line-up of the band was made up of Ian North, Justin Strauss, Sal Maida and Mike Ruiz and, in their time, they played classic NYC venues like CBGB's and Max's Kansas City. They shared bills with everyone from Talking Heads to The Ramones and have amassed a cult following, influencing the likes of Thurston Moore (Sonic Youth) and Debbie Harry (Blondie).

After working extensively with the band members, Milk 'n' Cookies is a lavish reissue of the group's entire recorded output. Housed in a deluxe slipcase is the band's original legendary LP, a 2xLP featuring rare and unreleased tracks, as well as a book that chronicles the full history of the band's wild ride through the music biz - as told by the band themselves, through accounts from their many (in)famous admirers and through never-before-seen photographs.

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2016-01-22
Charlie Hilton: Palana

As we age, a growing and ever changing identity is something we never shake. The distance between the magic and awe of a child's mind to the mentality of a teenager is palpable. When you hit your 20s, it's safe to say a few things are different from that time you were 16. Though she maintains some reservations about the implications of something as abstract as identity, Charlie Hilton, known up until now for her work in the band Blouse, has now forged a new one with her debut solo album, Palana.

Enlisting Unknown Mortal Orchestra's Jacob Portrait as producer, Hilton freely experimented with diverse sounds and moods - some minimal and some cacophonous - out of the confines of a band structure. "Funny Anyway" is truly stark, featuring only string accompaniments, with Hilton assuming a role akin to a confessional French chanteuse, while "Let's Go to a Party" is Hilton's cheeky take on an icy dance track with thick, bouncing synths and a chorus that echoes "I'm only happy when I'm dancing." Alternatively, tracks like "Pony" harken back to the psychedelic strengths of Blouse, saluting bands like Broadcast and United States of America, and then there's "100 Million," the sole track produced by Woods' Jarvis Taveniere that rounds out the album in a soft, acoustic and light-hearted way with labelmate Mac DeMarco lending his talents on percussion and back-up vocals.

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2015-10-30
The Wake: Here Comes Everybody + Singles

Housed in a Gatefold Jacket with two Eurosleeves, we offer up a period of The Wake which has not been available on vinyl since its initial pressings on Factory Records two and a half decades ago.

Long considered their masterwork, Here Comes Everybody is post-punk at its most lush and alluring. With an underlying urgency peppered with a frost of delicate melody, the influence of the Wake can be seen in a myriad of sub-genres within the independent community and is often cited as a key influence on our own label roster. This impeccable LP is bolstered by the equally inspired EPs and Singles that surrounded it: Talk About the Past, Of The Matter and Something That No One Else Can Bring have long been difficult finds for an aspiring record collector, until now. Remastered.

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2015-10-02
DIIV: Oshin

DIIV is the nom-de-plume of Z. Cole Smith, musical provocateur and frontman of an atmospheric and autumnally-charged new Brooklyn four-piece. Recently inked to the uber-reliable Captured Tracks imprint, DIIV created instant vibrations in the blog-world with their impressionistic debut "Sometime"; finding it's way onto the esteemed pages of Pitchfork and Altered Zones a mere matter of weeks after the group's formation. Enlisting the aid of NYC indie-scene-luminary, Devin Ruben Perez, former Smith Westerns drummer Colby Hewitt, and Mr. Smith-s childhood friend Andrew Bailey, DIIV craft a sound that is at once familial and frost-bitten. Indebted to classic kraut, dreamy Creation-records psychedelia, and the primitive-crunch of late-80s Seattle, the band walk a divisive yet perfectly fused patch of classic-underground influence.

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2015-10-02
DIIV: Oshin

DIIV is the nom-de-plume of Z. Cole Smith, musical provocateur and frontman of an atmospheric and autumnally-charged new Brooklyn four-piece. Recently inked to the uber-reliable Captured Tracks imprint, DIIV created instant vibrations in the blog-world with their impressionistic debut "Sometime"; finding it's way onto the esteemed pages of Pitchfork and Altered Zones a mere matter of weeks after the group's formation. Enlisting the aid of NYC indie-scene-luminary, Devin Ruben Perez, former Smith Westerns drummer Colby Hewitt, and Mr. Smith-s childhood friend Andrew Bailey, DIIV craft a sound that is at once familial and frost-bitten. Indebted to classic kraut, dreamy Creation-records psychedelia, and the primitive-crunch of late-80s Seattle, the band walk a divisive yet perfectly fused patch of classic-underground influence.

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2015-09-04
Widowspeak: All Yours

Widowspeak has grown up in a lot of ways. The band's third album, All Yours, is one that could only come from Molly Hamilton and Robert Earl Thomas: a honed and elegant interweaving of dream-pop and slowcore rock and roll, easygoing melodies and dusty, snaking guitars. It's also their finest release to date: ten beautiful songs that are refreshingly straightforward yet built from the same well-chosen and deftly used tools the band has always worked with.

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2015-08-07
Mac DeMarco: Another One

Like the days of Steely Dan or Harry Nilsson releasing a classic album every year (or less) comes Mac DeMarco's Another One, a Mini-LP announced one year after the release of the meteorically successful Salad Days. Written and recorded during the downtime between a relentless touring schedule, Another One is an eight-track release that expands the arsenal of Mac's already impressive catalog, showing the maturity of Mac's progression as songwriter: it's a bit more refined, a bit more sophisticated, but nonetheless retains the guts and soul of classic Mac.

Despite working at the same pace as artists like Creedence and The Rolling Stones, coupled with an equally unending schedule of touring and press, it's odd that Mac is labeled as a slacker. With two full-lengths and two EPs released and hundreds of sold out shows performed in the last several years, a recent late night television debut on Conan following a special performance on The Eric Andre Show, it seems, as Mac nears his 25th birthday, there's not a slack bone in the man's body. Great songwriters don't need to reinvent themselves; they just need to keep going and let the songs out in the world. Thus, here's Another One.

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2015-08-07
Martin Newell: Teatime Assortment

Since before he was even able to play an instrument, Martin Newell was messing around with home-recordings. Having grown up in the Far East, Newell returned to his home of England at age 13 with just a little 3-inch spool tape-recorder and his first guitar. At age 14 he wrote his first song, not even knowing any chords. His song writing continued through is teens and into his 20s, when he purchased a Sony reel-to-reel recorder and 12 string guitar. It is this early songwriting that led him working with a wide variety of musicians, recording in beautiful studios and forming his many projects such as Cleaners from Venus and Brotherhood of Lizards. But it was this early songwriting and recording that led him to find that he was happiest when recording by himself, with minimal equipment. As Newell often says, "Actually, I preferred the demos".

Having upgraded himself from reel-to-reel to a Tascam Pocketstudio and digitizing some of his archaic recording knowledge, Newell set out to begin home recording again. The tracks on this collection run from 2010 to mid 2014. Some are recordings loosely based on movie themes and soundtracks for imaginary films. Some are instrumentals from a collection called The Late District, while others are from a recent album Return to Bohemia, which saw a small release in England. This recent resurgence in creative strength, along with the success and newfound popularity of Cleaners from Venus, have all led up to Teatime Assortment. Think of it as a "Best of New Newell". A true wordsmith, Newell himself has put simply why one might be compelled to take a listen here: "If you're the sort of person who likes this kind of thin, then this is the sort of thing you'll probably like."

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2015-07-10
EZTV: Calling Out

It wouldn't be entirely accurate to say that EZTV met while trying out for J. Spaceman's latest US touring line-up of Spiritualized, but it's not far from the truth. Songwriter Ezra Tenenbaum had been casually working on solo home recordings in the vein of Shoes, Emitt Rhodes and Cleaners For Venus, and, in a desire to round things out, he enlisted bassist Shane O'Connell and drummer Michael Stasiak (formerly of Widowspeak). As it happened, the trio's first chance to play together was an audition for the American touring version of Spiritualized (they didn't get the job). But, the trio kept meeting and working, turning Ezra recording as a solo artist into Ezra, Shane and Michael playing as a band; thus, EZTV was formed.

With Jarvis Taveniere (Woods) onboard to produce, the band headed to Thump Studios in Brooklyn to record their debut LP. The result is Calling Out, a cohesive 12-song statement in the long tradition of fully realized debuts, stripped of artifice, but full of hooks and songwriting chops. With one foot firmly planted in classic American power-pop and college rock while the other utilizes more left-of-the-dial sonic experimentation, the result is a sound that's both familiar and new, but always about the songs.

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2015-06-23
Juan Wauters: Who Me?

Who Me? is the next chapter in the ongoing story of Juan Wauters. Whereas his debut solo record was recorded casually over the course of one year, his new album was crafted in under two weeks at Future Apple Tree in Rock Island, Illinois. Inspired by both the arrangements of Uruguayan songwriter Jaime Roos and the production of American master Dr. Dre, this collection of songs presents his continued approach to existential questioning through pop music. Tracks like "She Might Get Shot" and "I Was Well," which may seem like wisdom addressed to the listener, are in fact part of Juan's reciprocal process of self-actualization through songwriting and performing. Bringing new sounds to his repertoire, "This Is I" and "Through That Red" add a spiritual tone with ethereal string arrangements. Juan's voice - which has risen to the forefront of his music since his first recordings with The Beets - intensifies with added nuance. This year Juan Wauters will continue to tour the world in support of his second solo record.

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2015-06-23
Tom Diabo: Dark Star

Tom Diabo was late-70s/early80s punk musician from Wuppertal, Germany. He played in several bands, most notably Western Force and X 112 For Dancing, and also curated a series of legendary local cassettes called "Talfahrt". Diabo passed away from cancer in 1988 shortly after his 30th birthday. He left behind a cache of home-recorded songs that eventually came out posthumously as an LP called "Dark Star" that same year. An expanded edition will be released on Body Double in 2013.

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2015-04-14
Dinner: Three EPs, 2012-2014

Dinner is the alias for Danish singer and producer Anders Rhedin. Since 2012, Dinner has released two EPs (Girl and You Are Like LA) and a guided meditation tape. This Fall, in collaboration with Texas label Red Eye Transit, we will be releasing his latest effort Oui!, a four-track EP that serves as a powerful introduction to this idiosyncratic musician. Dinner's songs seem to be inspired by his own life - in the lyrics you find references to cities, parties and girls (the latter sometimes referred to as the "divine feminine"). Dinner himself claims that "All the songs are about death and transcendence."

The Apartments: The Evening Visits…and Stays for Years (Expanded Edition)

Born of the small but vibrant Brisbane punk/new wave scene of the late Seventies, Peter Milton Walsh began to cultivate the mysterious, moody myth that would follow him through out his career that has taken him around the world. But before setting out abroad, Walsh certainly made his mark on the Brisbaine scene. His band, The Apartments, formed in 1978 and spent the next year playing ample amounts of shows around Brisbaine. With a reputa- tion that preceeded him, Walsh was saught out by Robert Forster and Grant McLennan, members of one of Brisbaine's most noteworthy bands, The Go-Betweens. Having been offered an 8 album deal by Beserkly Records, Forster and McLennon asked Walsh to join The Go-Betweens as their fourth member in late 1978. The union was, however, short lived. There were personality differences, which led McLennon to famously say "Walsh is night, we are day. We're sun, he's rain.".

After the deal with Beserkly fell through, Walsh returned to The Apartments, leaving The Go-Betweens as a three piece. They went on to affectionately write a song for Walsh, entitled "Don't Let Him Come Back", which included the line "Here he comes, with his twelve o'clock junk...who's that dressed in black? Who's that in his apartment?". Things weren't sour between the two bands and The Apartments recorded their first EP, "Return of the Hypnotist" on The Go-Between's Able Label. But before the EP was even released, The Apartments broke up and Walsh left for New York City. During his time in NYC, Walsh played mustic with a number of bands and recorded many songs that would serve as demos for future releases for the still defunct Apartments.

Returning to Australia in 1984, Walsh got the band back together and recorded a few singles, including "All You Wanted". All the while the band were also recording demos, which led to a record deal with London's legendary Rough Trade Records, prompting Walsh to move to London. It was there that he recorded his first proper LP, "The Evening Visits... And Stays for Years". The album received strong praise and drew comparisons to a wide range of acts such as Cocteau Twins, Nick Drake and Bob Dylan. The NME said of the record "after whetting our appetites with last year's classic import single 'All You Wanted' The Apartments have stunned us to a reverential silence. This album is a pure heart-wrencher, and should only be listened to after dark.".

Although The Apartments and Walsh continued to tour and record with a variety of line ups, it is these early works that provide a definitive look at their sound. Available all together for the first time, Captured Tracks are pleased to present "The Evening Visits... And Stays for Years" along with "The Return of the Hypnotist", the "All You Wanted" single and a collection of demos from "The Evening Visits...". Complete with liner notes by Robert Forster and Walsh himself, this incredible collection of Walsh's first seven years of recordings is not to be missed.

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2015-03-31
The Soft Moon: Deeper

Luis Vasquez never intended for The Soft Moon to reach the public's ears; for him, music has always been about self-actualization rather than self-aggrandizement. Nevertheless, the bleak, hushed sounds he created years ago in his small Oakland apartment bubbled to the surface and 2010 saw his debut LP, The Soft Moon, released on Captured Tracks rise to critical acclaim. Pitchfork's 8.1 review stated that Vasquez made "oblivion seems like an enticing prospect" and, indeed, listeners were immediately drawn into his murky musical wasteland, swathed in the moody atmospheres of jagged dark wave and wayfaring postpunk. For them, and for Vasquez, there was no turning back. The Total Decay EP and Zeros emerged soon after, and now Vasquez returns with The Soft Moon's most introspective and focused album to date: Deeper.

With eerie, immersive tracks like the dogged "Far" and slow, beautifully melancholic "Wasting", the album is a penetrating portrait of Vasquez as he wrestles thoughts of suicide, vulnerability and what it means to heal. Deeper may have delivered Vasquez back to the waking world, but it willingly drags us further into The Soft Moon's dark, euphonic universe once more.

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2015-03-17
Nic Hessler: Soft Connections

The making of Soft Connections was a lengthy process that took place during a crucial period of musical growth and self-exploration. It's an optimistic and introspective record about being in-and-out of feeling - on the brink of a personal breakthrough, yet still seeking direction, purpose, truth and permanence. Anchored by the Catwalk favorite "Please Don't Break Me" - a song that, at one point, could very well have launched Nic into "indie celebdom" - this record is now a send-off to Nic's lost time; he's moved forward, sounding better than ever and ready to soundtrack your long road trip or failed crush. This will be the first record in what we all hope to be a lengthy string of great albums.

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2015-02-17
Mourn: Mourn (w/ bonus track)

First 1000 CD copies include the bonus track "Boys Are Cunts."

MOURN is a very young quartet formed from the friendship of Jazz Rodríguez Bueno and Carla Pérez Vas - both born in 1996 in El Maresme, Catalonia, Spain. The duo armed themselves with inspiration from PJ Harvey, Patti Smith, Sebadoh and Sleater Kinney and began writing material, which they quickly released, raw and acoustic, on their YouTube channel. These recordings caught the attention of their homeland's Sones Records. Despite being teenagers, earlier this year they came out of the studio (along with drummer Antonio Postius and bassist Leia Rodríguez) with a brilliant treatise of indie rock that has stunned those who have had the opportunity to listen to it. Jazz (18), Carla (18), Leia (15) and Antonio (18) came together to present these tracks with authenticity and self-awareness beyond their age. With the confidence only residing in youth, the Mourn debut was recorded live in the studio in two days, proof of which is in their live-in-the-studio videos for singles "Otitis" and "Your Brain is Made of Candy." Both tracks perfectly capture the bands' affinity for the brevity of The Ramones with the lyrical and melodic sophistication of The Pixies.

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2015-02-17
Mourn: Mourn

MOURN is a very young quartet formed from the friendship of Jazz Rodríguez Bueno and Carla Pérez Vas - both born in 1996 in El Maresme, Catalonia, Spain. The duo armed themselves with inspiration from PJ Harvey, Patti Smith, Sebadoh and Sleater Kinney and began writing material, which they quickly released, raw and acoustic, on their YouTube channel. These recordings caught the attention of their homeland's Sones Records. Despite being teenagers, earlier this year they came out of the studio (along with drummer Antonio Postius and bassist Leia Rodríguez) with a brilliant treatise of indie rock that has stunned those who have had the opportunity to listen to it. Jazz (18), Carla (18), Leia (15) and Antonio (18) came together to present these tracks with authenticity and self-awareness beyond their age. With the confidence only residing in youth, the Mourn debut was recorded live in the studio in two days, proof of which is in their live-in-the-studio videos for singles "Otitis" and "Your Brain is Made of Candy." Both tracks perfectly capture the bands' affinity for the brevity of The Ramones with the lyrical and melodic sophistication of The Pixies.

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2015-02-03
Juan & Carmelle: Wearing Leather, Wearing Fur

Captured Tracks is pleased to announce the release of Wearing Leather, Wearing Fur, the first fully collaborative recording by Juan Wauters and Carmelle following their duets on North American Poetry. This continuous, thirteen minute composition presents a concise suite of song, poetry, and instrumental passages that Juan and Carmelle developed through live performances since 2012. In Wearing Leather, Wearing Fur, Juan and Carmelle share the lead, navigating the listener through stages of varying emotional intensity as they sing themes of external identity and personal freedom.