An Evolutionary Music (Original Recordings: 1972 - 1979) compiles unreleased recordings from the archives of multiversal artist Ariel Kalma. Concerned as much with musicality as spiritual facility, Kalma's work vibrates aside fellow travelers along the great rainbow in curved air of the 1970s avant-garde.
Ariel Kalma's boundary-blurring electronic music is heard here in radiant detail across a selection of work spanning his early free-jazz and spoken word trips to his infinite modular synthesizer and analogue drum machine meditations. Kalma's story is one of world travel, musical discovery and ego-abandonment. Yet for an artist who often discarded public recognition in favor of the ascetic truths in music making, An Evolutionary Music offers the imprint of an outright auteur.
If you've lived anywhere near Fullerton, California over the last decade, or if you've paid any attention to the recent flux of sun-baked, surf-soaked power pop proliferating along the Western coastline of the U.S. in recent years, chances are high you've taken notice of Orange County's rambunctious guitar pop mavens Audacity. And if you've taken in Fullerton's pride-and-joy both in a sweaty, dingy live environment and on your turntable, you're undoubtedly aware that there is a certain unbridled quality to the band that can't quite be replicated on record. While last year's Butter Knife LP came pretty damn close to capturing Audacity in all their wild and ecstatic splendor, they've finally captured the triumphant bedlam of their live show with their latest 7", "Counting the Days" b/w "Mind Your Own Business". The A-side is Audacity in all their ragged glory - righteous guitar leads, buoyant choruses, and unhinged energy. For the flipside, the OC boys pay tribute to British post-punkers Delta 5 with an explosive cover of their debut single from 1979. "Counting the Days" b/w "Mind Your Own Business" is available worldwide on vinyl and digital formats courtesy of Suicide Squeeze Records. The vinyl version is limited to 750 (250 on fluorescent pink, 500 on black) copies and includes a download coupon.
For much of the Brooklyn duo's career, Beacon has worked with a kind of effervescent, forward-looking R&B that evokes out-of-body experiences, but with their new L1 EP, the music is anchored assuredly to your flesh, bone, and physical senses. The brawny synth timbres which open lead track "Fault Lines" and the stomping beats bolstering gauzy falsettos on confident songs like "Minor Structure" set the tone for a new phase in Beacon's evolution, one geared toward the movements and magnetism of human bodies. As producer Jacob Gossett puts it, "Our records have often been described as moments after the night has given way, a 'comedown after the club.' Hopefully, this record inspires people to go back out for one more."
Ms Pretzel is a 4 track, 20-minute EP of brand new material by Eric Copeland (Black Dice, Terrestrial Tones). This is Eric's return to DFA after the release of an acclaimed single on Ron Morelli's underground dance juggernaut L.I.E.S., which followed his beloved 2013 album "Joke In The Hole", his solo debut for DFA. The music on Ms Pretzel most certainly continues to break new sonic ground, a process which has gradually unfolded over the last few years via many prior works on seminal underground labels such as Underwater Peoples, Escho, Post Present Medium, and Catsup Plate, among many others. Ms Pretzel takes Eric's outsider fascination with 4/4 dance music and twists it yet again. It is the sound of Eric Copeland throwing a wobbly dance party in a junkyard. DFA could not be more excited to host this gritty event.
Before New Age hit terra firms at the dawn of the 1980s, the classically-trained Bay Area composer Jordan De La Sierra's consciousness soared with cosmic concepts. With cues and lessons from the great minimalists La Monte Young,Terry Riley, Pandit Pran Nath, and help from the venerable public radio program Hearts of Space, De La Sierra embarked on a journey in alternate tunings and resounding reverberations, transporting entranced listeners from the Golden Gates to the intergalactic. Take an interstellar ride on the sensory engulfing space piano with this lovingly recreated double LP set, complete with De La Sierra's India-inspired visual artwork and musings on the tableau of space.
Welcome to the world of Lord RAJA, a strange, sometimes perilous alternate dimension with beauty and decay in equal measure. It's a world built on the beat-centric music which flows through New York native Chester Raj Anand's stream of consciousness; here, half remembered hip-hop classics are spliced into '90s IDM, ambient, footwork, and experimental sound design. Our latest dispatch from Lord RAJA's uncanny realm is the impulsive and unpredictable A Constant Moth LP, 12 hyper-detailed scenes ripped from the surreal mayhem at play in the mind of this talented young producer.
In founding Swell Maps, the post-punk prefacing Birmingham art-snots, Nikki Sudden and his drumming brother Epic Soundtracks charted new territory for racket and corrosive guitar. But after folding Swell Maps at the dawn of the '80s, Nikki Sudden plowed through another decade's worth of terrifically fertile ground. Drawing on his devotion to the Rolling Stones and T. Rex - alongside guitarist Dave Kusworth as Jacobites, plus a cheekily named cohort of British sidemen - Nikki Sudden cut a string of raw, inspired rock 'n' roll records, etched with double edged travel melancholia and hard-bitten punk dejection.
This career-spanning 7xLP box set compiles Sudden's landmark solo LPs Waiting On Egypt and The Bible Belt, the Dave Kusworth-era LPs Jacobites and Robespierre's Velvet Basement, Sudden's Rowland S. Howard collaboration Kiss You Kidnapped Charabanc, and his Creation-issued masterpieces Texas and Dead Men Tell No Tales. Limited to just 500 copies, this set also includes Sudden's debut solo single "Back to The Start" b/w "Ringing On My Train."
Didn't It Rain is Jason Molina's first perfect record. Recorded live in a single room, with no overdubs and musicians creating their parts on the fly, the overall approach to the recording was nothing new for Molina. But something in the air and execution of Didn't It Rain clearly sets it apart from his existing body of work. His albums had always been full of space, but never had Molina sculpted the space as masterfully as he does on Didn't It Rain.
Back in 2009, Suicide Squeeze Records labelmates These Arms Are Snakes and The Coathangers teamed up for a series of tour dates on the East Coast. It was a perfect pairing: The Coathangers' jagged catabolic garage rock and These Arms Are Snakes bleary and blighted artcore made for an evening of celebratory chaos. But These Arms Are Snakes' seven-year run came to an abrupt end a few months later, leaving a final unfinished recording - a cover of Lost Sounds' "Energy Drink & The Long Walk Home" - gathering dust in the vaults. In the five years since the Snakes' dissolution, The Coathangers have toured relentlessly on their three albums for Suicide Squeeze; releasing a slew of split 7"s with various road comrades along the way. Though These Arms Are Snakes remain broken up, the finishing touches on "Energy Drink" were finally wrapped up in 2014, and it seemed only appropriate to pair the song with a track from their old tourmates. The Coathangers are still hard at work touring on their highly lauded album from earlier this year, Suck My Shirt, but they found the time to counterbalance the Snakes' Lost Sounds cover with their take on The Gun Club's "Sex Beat". Suicide Squeeze is proud to release the split single worldwide on a limited vinyl run of 1,000 (clear w/ red and black splatter) 7"s with an accompanying download code. The songs are also available digitally.
TURNING - A concert film documentary captured during the critically acclaimed tour of Europe by Antony and the Johnsons and Charles Atlas during the fall of 2006, it explores the heart and experience of that series of performances. Through its synthesis of Antony's songs and unfurling video portraiture of the 13 beauties who performed on stage, TURNING creates an intimate and cinematic experience exploring themes of identity, transcendence and the revelation of essence.
Also included in the deluxe package is the full TURNING concert recorded live at The Barbican, London, Nov. 2006 and contains songs across the first three Antony and the Johnsons' full length albums along with bonus tracks never before released songs - "Whose are These" and "Tears Tears Tears". The classic lineup of Antony, Maxim Moston, Rob Moose, Julia Kent, Parker Kindred, Jeff Langston, and Thomas Bartlett can be heard on these recordings as Charles Atlas's projected portraits of the girls light up the stage from behind the band for the duration of the concert.
Dream Police is an American musical production by Nick Chiericozzi and Mark Perro. The project began in 2010 as a reservoir for ideas which had overflowed from The Men's drain pipe. In that same year, a two-song cassette single was self-released, with a follow-up live document in 2011. Most recently, the duo has conceived an LP with longtime sonic partner, Kyle Keays-Hagerman from late 2013 through early 2014. Although the production began using the most conservative rock and roll devices, it slowly plumed into a cloud of future primitive psychedelia bursting with glimmering electronics and cinematic, vibrato storytelling. Dream Police are brutal, erotic and overlit.