At the epicenter of New York's most significant music scene was an instantly-forgotten record label; Ork Records, the first punk label and the original "indie." For the first time ever, the monumental output of this explosive imprint's 1975-1979 run is all in one place. Sixteen singles that birthed punk, no-wave, power pop, and the next four decades of indie rock, including the debut releases from Television, Richard Hell, Richard Lloyd, Cheetah Chrome, Alex Chilton, the DBs, and Chris Stamey, future nuggets by the Revelons, Student Teachers, Prix, Marbles, Idols, Mick Farren, and Link Cromwell, and previously unreleased singles from the Feelies and Erasers. This is a limited edition of 2000 carefully replicated 7" sleeves ensconced in a custom box modeled on period-specific Ork mailing labels.
The music of SONY Playstation's Hohokum mirrors the game's eclectic and detailed landscape, with a wide selection of Ghostly artists contributing their songs. Between musicians and producers like Tycho, Shigeto, Matthew Dear, and Com Truise, the soundtrack is a fully realized exhibition of contemporary electronic sounds. The Hohokum Soundtrack arrives on August 12 as a 22-song digital compilation and on October 28 as a rainbow-colored 12" vinyl sampler featuring seven special cuts.
ALL YOUR FRIEND'S FRIENDS is a seminal Northwest Hip-Hop compilation album produced entirely off of samples pulled from the K catalogue. Featuring over 30 of the most unique MCs from the region including members of mega-crews Oldominion and the Sandpeople, the album also introduces a host of hidden talent from OLYMPIA, WA - K's sonic stomping ground.
Not quite hell, but close enough. Local Customs: Cavern Sounds covers six years lost in the deranging darkness of Independence, Missouri's Pixley limestone mine, where a team of misfit engineers captured the reverberating echoes of Kansas City's rock 'n' roll blasting cap. Taped in the subterranean studio headspace of Cavern between 1967 and 1973 are previously unissued recordings by Jaded, Larry Sands & the Sound Affair, Sheriff, Mulligan, Stone Wall, Morningstar, the Montaris, and the Dantes, alongside the most explosive tracks released on KC's Pearce, Rock, and Cave labels by the likes of the Reactions, Burlington Express, the Classmen, Fraight, American Sound Ltd, Baxter's Chat, 21st Century Sound Movement, Pretty, Tide, and A.J. Rowe.
"Our journals and recording equipment were ultimately confiscated and stolen by the MNLF rebels. We escaped with a single cassette, the clothes on our back, and our lives."—David Blair Stiffler
In 1988, David Blair Stiffler risked life and limb to document under-recorded cultural groups living lives of extreme isolation in the mountainous Philippine regions of Nueva Ecija, Aurora, and Luzon. These are the fruits of that expedition.
In the grand tradition of ethnographic recordings that made up the majority of Folkways' vast and significant catalog comes Music from the Mountain Provinces. By the mid-1980s, David Blair Stiffler was already a most-decorated recordist, with eight Folkways LPs under his belt. These are among the most obscure documents in the entire Folkways catalog. Although the works of Jose Maceda and Nicole Revel heavily documented much of the Philippines' countryside inhabitants with a thorough and sober effort protracted over the decades, Stiffler brought his own panache into the equation, capturing gorgeous and revelatory moments from some of the archipelago's least visited regions. Even without the harrowing tale of himself and his crew being taken hostage, contained within is a rare aural experience. These masters, originally intended for release on Folkways, were shelved when Stiffler returned home to news of Folkways founder Moses Asch's death.
Penny Penny’s 1994 debut Shaka Bundu helped put Tsonga music on the map and helped open usher in the electronic era of South African popular music. Following the success of the album’s subsequent international reissue over 20 years later via Awesome Tapes From Africa, Penny Penny Remixes looks at the current music situation in South Africa—a place where homegrown house and techno rub shoulders with kwaito, hip-hop and a rainbow of indigenous pop and folk styles. So Penny Penny Remixes merely scratches the surface with a very brief survey of the voices contributing to a wonderfully diverse dance and electronic music environment. The modern landscape of sounds heard among the artists on this digital EP mirror Shaka Bundu, a crucial turning point in South African pop music in general and Tsonga music in particular, thereby connecting the dots between electrified Shangaan disco and sounds ranging from township jive to mbaqanga to bubblegum to R&B, arriving at today’s vibrant movement of msanzi house and various regional house, techno and visionary electronic music scenes. The musicians here represent a few of the most innovative musicians whose varied takes on Penny’s energy make for fascinating listening, giving hope that music made for the dance-floor continues to develop in surprising ways.
Fueled by the financial drippings of number runners and boosted by Hall-of-Fame running back Jim Brown, Cleveland, Ohio's Way Out Records offered asylum for a rising crop of rogue soul men, rust-belt vocal ensembles, and trial-by-fire producers. Helmed by a friendly consortium of hustlers, police officers, and gridiron giants, pet project beget obsession as Motown arrangers, gospel choirs, and the Cleveland Symphony Orchestra were all beckoned to the wrong side of the tracks to mint masterpieces for the Sensations, Volcanic Eruption, the Exceptional Three, and Bobby Wade, all beneath the mindful gaze of a wall-mounted shotgun. Reaching their peak in the late '60s, Eccentric Soul: The Way Out Label gathers the brightest moments from the quirky operation's eleven year bid.
The 3xLP configuration boasts a double gatefold with beautiful photos and ephemera from the label's low-flying promotional department. The 2xCD version boasts images unique to this format, plus the same great liner notes, clocking in at 7,000 words. For fans of group harmony, sweet soul, orchestral feats and lo-fi oddities, The Way Out Label is an excellent addition to our already popular and powerful Eccentric Soul series.
Fifty records later, The Numero Group returns to its eccentric roots, Ohio's Capitol City and the sonorous Shangri-La carved out by the indefatigable Bill Moss. Filling in, around, and on top of our original The Capsoul Label collection, Capitol City Soul is a trove of completely unissued and underissued treasures from Moss and company. A decade in the making, this is the set of soul discoveries that no one but The Numero Group could achieve. Features otherwise unreleased songs from the Kool Blues, the Four Mints, Jupiter's Release, and Love Maximum, alongside rare sides by Dean Francis & the Soul Rockers, the Chandlers, Associated Press, the Soul Partners, and the Vondors. From the vaults under the basements under the garages of one of the nation's most unsung music scenes.
This double LP set is ensconced in a thick tip-on gatefold jacket splashed with a colorful spread of vivid archival imagery accumulated over a decade of research into the Columbus, Ohio culture. The liner notes serve as an in-depth history of Columbus soul music, linking The Capsoul Label with The Prix Label and Norman Whiteside's Wee project (recently sampled by Kanye West). The CD version boasts all of the same, with a few extra photos. A strong addition to the already epic Eccentric Soul series from The Numero Group.
We're proud to release the soundtrack to the acclaimed indie film Drinking Buddies on Jagjaguwar. Written and directed by Joe Swanberg (Hannah Takes the Stairs, Alexander the Last, V/H/S), the film stars Olivia Wilde (TRON: Legacy, Rush), Jake Johnson (New Girl, Safety Not Guaranteed), Anna Kendrick (Up in the Air, Pitch Perfect), Ron Livingston (Office Space, Boardwalk Empire) and Jason Sudeikis (We're the Millers, SNL). The film was music supervised by Jagjaguwar's very own Chris Swanson, Grant Manship and Kathleen Cook, and features Jag artists Foxygen and Richard Youngs, as well as The Amazing, Richard Swift, Plants & Animals, Here We Go Magic and Phedre, among others.
Astoria, Oregon's Fort George Brewery began brewing limited-run seasonal beers in conjunction with some of their favorite Northwest businesses, craftsmen, and artists back in the spring of 2013. For spring 2014, Fort George is teaming up with Suicide Squeeze Records to offer up the Suicide Squeeze IPA. Available on draft or in tallboy cans designed by esteemed illustrator and graphic designer Jesse LeDoux, the IPA will be available throughout Washington, Oregon, and Idaho for the duration of the season. To celebrate this event, Suicide Squeeze is releasing the "Fort George" 7" - a collection of four classic tracks from the Suicide Squeeze catalog by some of the Northwest's greatest artists. Featuring previously released singles, rarities, and out-of-print tracks by Modest Mouse, Black Mountain, Elliott Smith, and Minus The Bear, the "Fort George" compilation provides a prime overview of the eclectic and iconic Northwest indie rock fostered by Suicide Squeeze and commemorated through Fort George's special microbrew. The "Fort George" 7" is limited to 1000 copies on amber "beer" colored vinyl and comes with a download code.
With Warfaring Strangers: Darkscorch Canticles, the impacts of Led Zeppelin and Black Sabbath on US shores and heartlands is revealed as a bludgeoning previously undescribed. In this collection, medieval Bonham thunk and febrile Iommi guitar leads crowd out the bluesy Americana that foregrounded those bands, replacing hippie pastoralism with mythology, armored conflict, sorcery, and doom. From legions of occult-obsessive 1970s bonehead teens, we summoned a horde of 16 bands, cloaked in eons of tortured obscurity, whose sole release amounts to a blistering chapter ripped free of rock's lumbering mythos.
In 2007, Sacred Bones Records founder Caleb Braaten started unearthing rare and little-heard post-punk, deathrock and dark punk tracks for an eventual compilation. Seven years later, those tracks are finally being released in vinyl, CD and digital formats as Killed By Deathrock Vol. 1. Bands from all over the world are represented on the comp, from the relatively well-known Scots in Twisted Nerve to the “completely un-Googleable” Move from Italy, with a vast spectrum of American and European bands in between. What all these songs have in common, apart from their dark, icy atmosphere, is that they’re quintessential pieces of the deathrock story that haven’t been heard by nearly enough people — until now.
In the late 1970s, a peculiar sound began bubbling up from the land of 10,000 lakes. Buried beneath 50 solid inches of annual snow, Minneapolis made a Sound quite different than what the pop world foresaw. It issued forth as a slick, black, technologically advanced fusion, poised to storm the charts. Never known for sizable African-American populations, the Twin Cities of Minneapolis and St. Paul in fact harbored a tight-knit community of musiciansworking feverishly through the late ’70s and early ’80s toward a radical manipulation of American dance music, coating futuristic funk with the glamorous sheen of guitar rock. Synthetic ebony and ivory met electricity, with sexed-up results sent shockingly across the pop heavens like violet lightning.
SMM: Opiate is the second release in Ghostly's SMM series, which is an ongoing exploration of the evocative possibilities of sound, with a focus classical minimalism, electronic and drone composition, film soundtracks, and fragile imaginary landscapes. Opiate is the follow-up to 2011's SMM: Context, and as with that record, it's a carefully chosen selection of music, compiled over some two years from around the world. As a whole, the experience is certainly evocative of the opiated sensation evoked by the record's title — but really, it's a compilation that invites you to find your own meaning in it, or simply to appreciate the beauty of its music and escape the world for a while.
SMM: Opiate features original tracks from Simon Scott, A Winged Victory for the Sullen, Celer, Black Swan, Jim Haynes, EN, Pjusk, Fieldhead, and Noveller.
Past praise on the series has come from the likes of Pitchfork, Exclaim!, Boomkat, Resident Advisor, and CMJ.
In 1969, after three years as Soul Sister #1 to James Brown’s touring entourage, Marva Whitney came home to Kansas City, putting Ellis Taylor’s Forte label back at full fighting strength. She’d calmed aching crowds the day after MLK’s death, and she’d lived the life, despite its rigors—to pour out her pain and exuberance on Forte sides including “I’ve Lived The Life” and “Daddy Don’t Know About Sugar Bear,” which made national rounds in 1972.
Numero 047 Eccentric Soul: The Forte Label charts Kansas City yeoman’s work, the Carpets and the Derbys, dapper clothiers mysteriously murdered, and marriages made and broken. In 28 LP tracks or 21 on CD, plus a trove of promo headshots and every-hued label scans detailing all iterations of Forte’s logo in print, this 16th Eccentric Soul sojourn hands over vivid floor shakers and lost dance craze records alike—though what moves “The Hen” required remains anyone’s guess.
Free/discounted sampler to celebrate 5 years of Captured Tracks
While volume one of this series was highly acclaimed by tastemakers the likes of Julian Cope and the audio aesthetes at WFMU, volume two manages to ratchet up the intensity. More weirdos. More outcasts. More dudes who did not smell good. Meltdown chronicles the darker side of the post-garage and pre-punk era (‘68-’75) in the Great Lakes state. An overabundance of fuzz guitar, primitive riffing and overall outré vibes permeate this collection of nobodies, malcontents and general black sheep of society. No doubt you’ve NEVER heard any of the groups here, but if songs about space flight, mental health problems, substance abuse or having absolutely no money are your thing, there’s plenty to sink your teeth into here. All songs are previously uncompiled and mastered directly from the original 45’s (NO MP3’s!) coupled with full-color label scans and insightful, hysterical liner notes. Much in the same manner second volumes of compilations from the same family like Michigan Mixture and Michigan Mayhem, this edition of Michigan Meltdown only further cements the solid reputation of this collection. Giddy-up.
On Cleveland’s late ‘60s gospel scene, the BOS label was the refined, professional ying to Boddie’s lo-fi yang, galloping to the fore bearing a torch for Curtis Mayfield’s robe-wearing roots. Founded by gospel impresario James Bullard, BOS is the first chapter in story that includes stints producing major spiritual albums for the Birthright, Roadshow, and Word labels. BOS got its start inside Lester Johnson and Bill Branch’s Way Out concern, running the devotional wing of Cleveland’s largest black-owned record company, and picking up a ton of Way Out’s soulful flavor in the process. Compiled here are BOS’s less traditional moments—12 bridges between FM R&B and AM sermons from a time when those worlds were splitting apart.