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With their first album since 2002’s critically acclaimed This Flag Signals Goodbye, Swearing at Motorists return with a career-defining album. Last Night Becomes This Morning is frontman Dave Doughman’s indie version of “Running On Empty”. It was recorded on the road, between and while on tour in various locations - at soundchecks, in hotel rooms, rehearsal halls and on the bus (listen closely for the engine whine and the gears change). It is an album about two artists in love and how their craft keeps them apart. Last Night Becomes This Morning is a record of transition - and the confusion, discovery and understanding with which it comes. It is about a self-perpetuating myth. Where “Running On Empty” told of the battle to cope with fame & fortune, Last Night... chronicles the struggle to live life on the road in spite of lack of fame or fortune. In place of the sold out arenas its live sound comes in busking in an empty Berlin subway station - exile on Gipstraße. Dubbed the Two-Man Who by many a rock critic, Swearing at Motorists is an everyman record for the inner superman in all of us. File next to Thin Lizzy, The Replacements and Spoon. This needle-drop instant classic is the perfect Valentine’s Day gift.
In the year and a half since Swearing at Motorists released NUMBER SEVEN UPTOWN in 2000, the band has played over 200 shows in North America and Europe and has developed the reputation of being one of the most energetic and charismatic American bands around today, both on stage and on record. Dubbed a veritable "two-man Who" by more than one critic, this Dayton, Ohio twosome -- fronted by singer/songwriter Dave Doughman and backed by drummer Joseph Siwinski -- brings to mind Twin/Tone-era Replacements and early Elvis Costello for their ability to translate their legendarily venomous and soulful live show to record. Coming hot on the heels of the ALONG THE INCLINED PLANE EP, THIS FLAG SIGNALS GOODBYE is one of those records that will stand the test of time. Recorded by Brian McTear in Philadelphia, Pennsylvania, it is vintage Motorists -- a perfect combination of compact stadium rock sing-alongs and lucid love songs that portray a character at the mercy of his own destiny. On the ol' record shelf, THIS FLAG SIGNALS GOODBYE would sit nicely next to WHISKEY BENT AND HELL BOUND, Hank Williams, Jr.'s dissertation on how the road and its many appetites can devour one's personal life. And it's Doughman's ability to make the personal so universal that makes his songs feel so right in about every context. It only takes one listen to this half-hour classic to be caught by its intensity and personality. In much the same way that contemporaries the White Stripes are proving that there's no novelty to a two-person band, the Motorists are proving that a guitar/drum duo can rock with the same immediacy as a traditional 3- to 5-piece rock band with a full rhythm section.Borne of Dayton's burgeoning independent rock scene of the early '90s, the Motorists took some initial cues from locals such as Guided By Voices and the Breeders, but over the course of an ever-expanding body of work (which includes 2 full-lengths, 2 mini-albums and several singles and EPs) have evidenced that their sound is purely Swearing at Motorists, through and through. Secretly Canadian is proud to present this next chapter in the Motorists saga, THIS FLAG SIGNALS GOODBYE.
Release date: 06/04/02
In the year and a half since Swearing at Motorists released Number Seven Uptown in 2000, the band has played over 200 shows in North America and Europe and has developed the reputation of being one of the most energetic and charismatic American bands, both on stage and on record, around today. Dubbed a veritable ?wo-man Who?by more than one critic, this Dayton, Ohio twosome ?fronted by singer/songwriter Dave Doughman ?brings to mind Twin/Tone-era Replacements and early Elvis Costello for their ability to translate their legendarily venomous and soulful live show to record. This new five-song EP, Along the Inclined Plane, is the perfect segue into the band? next full-length album This Flag Signals Goodbye (out 6/4/02). Recorded by Brian McTear in Philadelphia, Pennsylvania (except ?an? Help Ourselves?which was recorded by Doughman at the House of Hits, Dayton, Ohio), it is vintage Motorists ?a perfect combination of compact stadium rock vignettes with deeply intimate love songs, such as Steve Earle? ?? Still In Love With You? on which Doughman performs solo with just acoustic guitar and voice.
Release date: 04/02/02
Developing from their roots in the Midwest American lo-fi scene -- a movement championed by Dayton's elder statesmen Guided By Voices -- MORE SONGS FROM THE MELLOW STRUGGLE reveals a band waking from the hazy murk of a lo-fi past ready to share their own very personal epiphany. Swearing At Motorists shares as much musically with Buffalo Springfield and MUSWELL HILLBILLY-era Kinks as with later curators of the bad vibes such as Richard Hell and Alex Chilton. But there is also that early 80's new wave canon that seems to have deeply affected Doughman in his song structuring, attitude and vocal delivery. Indeed you can hear remnants of Joe Jackson, the Cars, and what was once perhaps a vicious Elvis Costello fixation. But this album is anything but retro. Rather it is a very contemporary look at disillusionment in the modern auto age, about lacking something so integral that there is nothing left to do but drive. Yes, this is a heavy record. Not even the insane hooks and anthemic choruses can hide that this is a record about coping with the loss and abandonment of something very near and dear to you.
The masters of the rock miniature are back. Less than a year after their debut full-length, the critically acclaimed MORE SONGS FROM THE MELLOW STRUGGLE, the duo known as Swearing At Motorists have another album for the public to parade behind. We know it hasn't been long, but sometimes life's cycles run oblong and you find yourself with less things to kick the dog about than usual. Perhaps it was that '99 was such a fallow year record-wise for the Motorists, perhaps releasing no records in the last year of the '90s put a little pressure on Dave Doughman and Don Thrasher to return to their frenzied form (aside from MORE SONGS, 2000 has seen the release of two 7"es and a handful of compilation appearances). Or perhaps songwriter Doughman had a whole lotta lousy times to inspire him to write what are easily the best songs of his career. It's the sorta thing that makes a label salivate and gleefully quake, when an artist goes through relationship troubles. Indeed, the gambling men among you will call NUMBER SEVEN UPTOWN a sour relationship album. Yes, the carcass of the relationship that spans this record is weathered, worn, and -- by the last song -- pretty much rotted. And Doughman's emotional ambivalence on what appears to be his life crumbling before his eyes is what makes this album so sweet for all the twisted souls out there -- us included -- who love to watch another man have a lousy time. Better him than us, right? Cut from the same blue cloth as the late great Hank Williams, and landing somewhere between Richard Hell's DESTINY STREET, Neil Young's ZUMA and The Breeders' THE POD, NUMBER SEVEN UPTOWN finds Swearing At Motorists at their finest hour. Drummer Thrasher, a veteran of Guided By Voices, the New Creatures and the Hope Fools, provides the perfect steady beat that echoes hallmark drummers like Charlie Watts, Moe Tucker and Hal Blaine. Singer/guitarist Doughman, known for prowling the stage during live shows like a spastic mix of Prince and Jon Spencer, proves to be a man of all seasons, having also produced the album.