People of the North: Steep Formations
Started by Kid Millions and Bobby Matador of Oneida, People of the North is another voice emanating from that inscrutable Brooklyn collective. The group has always included Kid and Bobby, and usually other members of Oneida as well. POTN has performed live from time to time since 2002; most recently, they were invited by Portishead to play at the I’ll Be Your Mirror edition of the All Tomorrow’s Parties festival held in Asbury Park, NJ in October 2011.
In 2010, People of the North released its first full-length album, titled Deep Tissue. This recording was hailed by cognoscenti of contemporary psychedelia as an essential component of the recent Oneida canon. Media outlets compared the sound of Deep Tissue to Suicide and Silver Apples [Pitchfork]; This Heat [Stereogum]; Eno, Loop, Simply Saucer, and Amon Duul [Julian Cope at Head Heritage]; and Eno again [AllMusic].
Steep Formations, a double LP consisting of two long-form pieces, was recorded at the Ocropolis in 2010 and 2011, with the participation of Shahin Motia and Barry London of Oneida. Here, the drumming of Kid Millions has ascended to a profound and utterly unique level: muscular African-derived fluidity and relentless motorik drive have been alchemized into an indescribable brew that surges and pounds among the distorted tides of “Border Waves”; and the stony, brutal glaze of the title track displays a far more severe commitment to minimalism and noise than prior work offered.
People of the North: Deep Tissue
Started by Kid Millions and Bobby Matador of Oneida, People of the North is an ongoing but sporadic outgrowth of that restlessly experimental Brooklyn assemblage. Since the first tour in early 2003, POTn has served as another language emanating from the screaming mouth of the O. It has always included Kid and Bobby, and usually other members of Oneida as well. While there are no clearly defined boundaries separating POTn from Oneida, it might be fair to say that the music tends to be more staunchly devoted to minimalism, repetition, improvisation, and sternness than the wide-ranging efforts of the big brother band. There is no specific or overt “influence” that particularly defines the music on Deep Tissue, but there’s kind of a 70’s Germany/80’s Chicago/90’s Japan/00’s Iran thing with People of the North, so maybe that’s there?