Nagisa Ni Te: Yosuga
It's been four years since the release of Nagisa Ni Te's previous album Dream Sounds, and now - after much work - their seventh album Yosuga has been completed. Jagjaguwar is once again very proud to deliver the band's most recent work to North America and Europe. Yosuga also marks the first time that Jagjaguwar has released a Nagisa Ni Te title on vinyl (not to mention the still popular compact disc format!). The Japanese duo of Shinji Shibayama and Masako Takeda deliver an album that consists of both beautiful arrangements and soft melodies. Yosuga - the meaning of which refers to the source or grounds upon which the body and mind rely - is one of Nagisa Ni Te's finest efforts.
Nagisa Ni te: Dream Sounds
Dream Sounds may be the closest Nagisa Ni te ever gets to a greatest hits record. And although there are only four tracks on this compact disc (some previously released, but all re-recorded, re-mixed and re-mastered for this special edition), the record clocks in over forty minutes, runs the whole gamut of the sounds and moods of Nagisa Ni te’s songcraft over the years, and contains their most moving moments. This full-length record is the perfect introduction to the dreamy and nature-obsessed universe of Nagisa Ni te. Nagisa Ni te is Shinji Shibayama and Masako Takeda, and they are from Osaka, Japan. This is their sixth album.
Nagisa Ni te: The Same As A Flower
Nagisa Ni te (aka Shinji Shibayama and Masako Takeda) are back. Their new record The Same As A Flower, recorded between 2002 and the beginning of this year, is the third to be released by Jagjaguwar. Much like on previous records, the songs on the new record by this Osaka, Japan-based group are about nature, about the singularity of two people immersed in nature together, and about experiencing life as “being”, not “becoming” or “recovering from”. And like their previous full-length record, Feel, The Same As A Flower still brings to mind the very best of sixties’ and seventies’ psychedelic, progressive and folk rock (i.e. middle-era Roy Harper, Pink Floyd, 13th Foor Elevators and early Neil Young). Maher Shalal Hash Baz’s Tori Kudo may describe Nagisa Ni te best when he says: “Nagisa Ni te’s naked Progressive rock-based worldly songs, which are sung not so much deliberately as seriously, on their love beach, now fill a blank somewhere between underground hi-fi and overground lo-fi.” Also of note, Dominquie Leone of Pitchfork wrote: “Well before mystic folk became fodder for VW commercials, Shibayama was conjuring up the spirits of Tim Buckley and Tim Hardin to the delight of the Japanese psychedelic scene.”
Nagisa Ni te: On the Love Beach
Here is the Nagisa Ni te story: in the beginning Shinji Shibayama performed "hyped up dada-psych" in the early 1980's as part of Idiot O'Clock and then the more toned-down Hallelujahs. He also founded and still runs Org Records, the label responsible for bringing Eastern psych powers Maher Shalal Hash Baz to the world. With Maher Shalal Hash Baz's help, with the musical contributions of many of their collective friends, and with the assistance of Shibayama's now full-fledged cohort Masako Takeda in all things Nagisa Ni te, Shibayama recorded and released On The Love Beach, a beautiful, slow and entrancing work pulling equally from American and British rock traditions. Thus was born Nagisa Ni te, which means "on the beach" in Japanese, an homage of sorts to Neil Young's 1975 masterpiece. Their psych folk tendencies notwithstanding, Nagisa Ni te also did well to take cues from the avant rock world around them at the time, comfortably implementing the minimalist credo "less is more" throughout this record.Though On the Love Beach was Nagisa Ni te's debut, it is the second Nagisa Ni te record brought to the United States and Europe by Jagjaguwar. It follows Feel, their most recent endeavour, which garnered significant critical acclaim in the press. And like Feel, it does bring to mind the very best of sixties' and seventies' psychedelic, progressive and folk rock (i.e. early to middle-era Pink Floyd, George Harrison, Crazy Horse, and Roxy Music). Maher Shalal Hash Baz's Tori Kudo may describe Nagisa Ni te best when he says: "Nagisa Ni te's naked Progressive rock-based worldly songs, which are sung not so much deliberately as seriously, on their love beach, now fill a blank somewhere between underground hi-fi and overground lo-fi."
Nagisa Ni Te: Feel
Feel, the record by the Osaka band Nagisa Ni te (aka Shinji Shibayama and Masako Takeda) is now available for the first time outside of Japan, the first in a series of Nagisa Ni te records to be released in the United States and Europe by Jagjaguwar. Nagisa Ni te ("On the Beach" in English) are on the vanguard of the burgeoning psych-avant-folk movement in Japan. Their contemporaries include Maher Shalal Hash Baz and Naoki Zushi, artists who also have work on the inspirational Osaka-based label Org (founded by Nagisa Ni te"s Shibayama.) The songs within Feel bring to mind the very best of sixties' and seventies' psychedelic, progressive and folk rock (i.e. early to middle-era Pink Floyd or George Harrison) while steadfastly remaining in the modern by introducing to the mix avant touches ala' Eric Dolphy, Derek Bailey or Robert Wyatt. Soaring Gilmour-esque guitar solos abet the colliding forces of heaven and nature. And that is where Shibayama and Takeda reside, either on their way towards or in the process of departing the Garden of Eden. On Feel they sing about love, light, stars and the sea, words about both the spiritual and visceral worlds that the poet Pablo Neruda would be proud to call his own.