Magnolia Electric Co.: Rider.Shadow.Wolf. b/w Josephine
You keep on your eyes on the horizon long enough, you're bound to hit the coast. Jason Molina and the men of Magnolia Electric Co. have explored all realms of classic rock - from the subtleties of folk to charging Crazy Horse meditations. Now, on Rider.Shadow.Wolf. the band brings a surf-rock dynamic to its signature punch. This is where the tired rider, just having battled the desert, meets the eternity of an ocean.
Also found here is a stripped-down, early take of "Josephine" from the band's recent longplayer of the same name. This particular recording of Josephine was laid down just after the song's inception, during the session that will later be released as a collaborative album from Molina and Will Johnson of Centro-matic. This version features Molina and Magnolia utility man Michale Kapinus on keys, and serves as a preview of what's to come in the arch of Molina's career.
Magnolia Electric Co.: Josephine
Molina's concept album is an honest-to-God effort on the part of Magnolia Electric Co. to pay tribute to the life and spirit of fallen bassist Evan Farrell (R.I.P. December 2007), as the ideas for Josephine were being pieced together. Molina said each tune is a good faith attempt to make real Evan's hopes for the record. And in doing so, Evan's spirit becomes part of the concept. The loss of Josephine becomes the loss of Evan. Molina's familiar lyrical allegories are still in tact. But here, in what is no doubt the strongest set of songs Molina has written since the inception of Magnolia Electric Co., those classic themes take on new meanings. Molina has approached the universal loneliness before, but never in such a focused, directed manner as found on Josephine.
Magnolia Electric Co.: It's Made Me Cry
It's been six years since Jason Molina has bestowed a 7-inch on us and it was well worth the wait. The first three songs of It's Made Me Cry, the first 7-inch under the Magnolia Electric Co moniker, are comprised of compositions conceived, written, recorded and mixed by Jason and company over a series of five days in Bloomington, Indiana as they geared up for tour in October '08. The fourth track was recorded at the same studio about a year prior featuring the late great Evan Farrell, a Protection Spell for his new journey.The voices and moods are diverse and an exciting glimpse of things to come from Magnolia Electric Co.
Magnolia Electric Co.: Sojourner
Secretly Canadian is proud to present The Sojourner Boxset. It is the accumulated work of thirteen musicians, five locations, four recording engineers, three filmmakers, two designers and one songwriter, including enough material for three full lengths, one EP and one DVD. The boxset includes 4 CDs a DVD, a poster, postcards and a medallion.
The four CDs that are included in the boxset are from four distinct recording sessions that Magnolia Electric Co recorded following the release of their debut studio album What Comes After The Blues. The session known as Nashville Moon was recorded by Steve Albini at his Electrical Audio studios in Chicago, Illinois. The session known as Sun Sessions was recorded at the legendary Sun Studios in Memphis, Tennessee. The session known as Black Ram was recorded by David Lowery at his Sound Of Music studios in Richmond, Virginia and features an entirely different cast of characters including Lowery, Rick Alverson, Andrew Bird, Molly Blackbird, Miguel Urbiztondo and Alan Weatherhead. The session known as Shohola was recorded by Jason Molina alone, with a guitar and microphone. The Road Becomes What You Leave is a documentary film produced by Todd Chandler and Tim Sutton. It follows the band as they tour across the prairie provinces of Canada and shows the loneliness and isolation one can feel even when traveling in a pack.
Together, these make for the most ambitious and robust Magnolia Electric Co release to date.
Explore the celestial map of Jason Molina and the various constellations of his Magnolia Electric Co.
Magnolia Electric Co.: Fading Trails
Jason Molina is not one to settle. Throughout his musical career of 12 plus years under his given name, Songs: Ohia and Magnolia Electric Co., he has lived in 9 different locations and has had a dozen different backing bands on record in as many different recording environments.Fading Trails represents 3 of these incarnations and 4 of these environments. Composed of recording sessions Molina and company did with Steve Albini at his Electric Audio Studio, David Lowery at his Sound of Music Studio, and at the famous Sun Studio in Memphis, Tennessee, Fading Trails also features songs from the home recorded Shohola sessions. The essence of these recordings were extracted to create one cohesive being and thus defining what Magnolia Electric Co. truly is. Something that is hard to define. One head, multiple bodies...the opposite of a hydra head.
Magnolia Electric Co.: Hard to Love a Man
"Working class rock" is a phrase used frequently to describe The Magnolia Electric Co. Categorically, the band has secured their place amongst like-minded icons such as Bob Seger, CCR, Tom Petty and Bruce Springsteen, but it's not merely an aesthetic description. Magnolia back it up with their work ethic. This recording will be their third proper release in 2005 - after Trials And Errors (Jan. 18) and What Comes After The Blues (April 15). Amazingly, The Magnolia Electric Co. will have been on the road eight months by the year's end. This fact is most apparent to the band members themselves having been away from their homes and their loved ones for such extended periods of time. Hence the significance of the title track. When Jason Molina assumes the perspective of the one he left behind on "Hard To Love A Man and sings:
It was hard to love a man like you / Goodbye was half the words you knew / While you were waiting for me not to call / I sent my love
The loneliness and guilt of separation is painfully obvious. The wounded feminine voice of Jennie Benford, coupled with Jason Groth's sweeping guitar and Mike Kapinus' mournful organ dramatically reiterate this sentiment. Mark Rice and Pete Schreiner deliver their signature tight and tasteful rhythm and Nicole Evans adds a new and dynamic voice. While "Hard To Love A Man" and live set favorite, "Werewolves Of London" were recorded with Steve Albini at his Electrical Audio Studios, the rest of the tracks were recorded during a brief five day visit home in Indiana at Echo Park Studios with Paul Mahern whose engineering resume includes The Blake Babies, Lisa Germano and John Mellencamp.
As we watch Magnolia grow, Jason Molina doesn't have to coach us through another one, letting the inmates run the asylum. The Magnolia Electric Co. cast no doubt by putting their business in the street.
Magnolia Electric Co.: What Comes After The Blues
On the heels of Magnolia Electric Co's recent limited edition live release, the raw and incendiary Trials and Errors, comes what is perhaps Jason Molina's most fully realized studio project yet. Recorded live-in-the-studio by Steve Albini, What Comes After the Blues captures the simpatico chemistry of Molina's touring band, crackling with connective electricity that can only be generated by the mutual experience of the road. On the writing end of the equation, the song cycle of What Comes After the Blues is a conscious step forward for Molina in songwriting approach and intent. Most of the songs on it were written and arranged on the band's recent relentless touring of Europe and North America. The current incarnation of Magnolia Electric Co is the fullest and longest-running band the former Songs: Ohia frontman has formed so far. These musicians fashion kinetic and organic underpinnings for Molina's thematic quests, with arrangements that carry a primal feel for poetic American rock. In the tradition of Bob Seger, Tom Petty, John Fogerty, Neil Young, Bruce Springsteen and Ronnie VanZant, Molina is revered as being very personal songwriter who is unafraid to be vulnerable in song. And, like those artists, in Magnolia Electric Co, he has his Silver Bullet Band, Heartbreakers, CCR, Crazy Horse, E-Street Band and Skynard to balance the personal nature of the work with rock & roll of just such a collaborative and sublime nature that it defies being pigeon-holed as folk.