Lightning Dust: Fantasy
Lightning Dust's 3rd proper full length finds its inspiration in skeletal synth pop, modern R&B beats, the films of John Carpenter and -- in accordance with Lightning Dust's only longstanding rule -- absolute minimalism. The core of Fantasy lies as much in the songwriting as in its sonics, and begins with tools familiar to Webber and Wells: her acoustic guitar and his Wurlitzer piano. They worked to distill the arrangements to just the few key elements that were necessary to make the feel right, and through countless hours of labor in The Balloon Factory - their Vancouver studio - the songs found their way to a sonic palette more squarely electronic than either expected.
Lightning Dust: Infinite Light
Infinite Light, Lightning Dust's sophomore album for Jagjaguwar, finds duo Amber Webber and Joshua Wells (both of Black Mountain) calling upon the powers of classic pop arrangements and making the most of five days with a Steinway Grand piano. While Webber and Wells met through their involvement in what they described as two of the saddest bands in Canada, the songs written for Infinite Light found the two moving away from the uniformly downbeat. Rather, the songs were more suited to lush and melodramatic arrangements. Cue the strings. Moments of Infinite Light remind us of the glory days of musical theatre, with touches of Hair, Rocky Horror Picture Show and Tommy. Lightning Dust have delivered a cosmic record about the adventure in finding love and the journey in losing and rediscovering "the light."
Lightning Dust: Lightning Dust
Amber Webber and Joshua Wells have been playing together for many years as part of Black Mountain. They've toured the world and have played impenetrable space-rock to the unlikeliest of audiences. With an abundance of creative energy to spare, the two decided to start a separate project together, that they named Lightning Dust.
Committing themselves to a more simplistic approach with Lightning Dust, Webber and Wells also decided to escape the comforts of their familiar instruments and writing styles. On their self-titled debut, minimal and spacious arrangements and a moody, theatrical vocal-style aptly expose the demons, creating songs that creep into your bones with a haunting chill.
The album was recorded in a dank cave and a bright blue house, perhaps an unconscious yet obsessive protest of the sunny beach and beer world that surrounded them on the outside. But despite this unattractive external world, and while completing the album in small fits of insanity, the two were compelled to retreat to the coastal summer air from time to time, when they could take no more of the shadowy frame that they had decided to enclose themselves in.
Many of the songs on this self-titled debut began years ago as melodies which persistently floated around in Webber's head. And, conveniently, Wells was at a loss for words to accompany the piano songs that wouldn't leave him alone. Their creation Lightning Dust matched these lingering ghosts with each other, creating a special, lasting work that perfectly brings together the shadows with the sunshine.