Home converged in the Devils Isle WetLab Studio to record the skeleton tracks of Home XVII and then embarked on a leisurely summer of overdubbery, during which they tackled the long-overdue task of digitizing and mastering their first eight albums which had dangerously oxidized in a Makers Mark wooden box for nearly 15 years. Somewhere in analyzing these early recordings, Home became re-interested in the sound of songs in their genesis: the (wholley) imperfect object that is felt but not yet processed; the carefully crafted uber-story abandoned for passing fancy; the MS-16 fullness for the red-line compression of a 4-track. When they reconvened, they sorted through some 60+ songs to file down to the "new" Home XVII, a scattershot sampling of moments and perspectives that somewhat awkwardly left archeological traces of cross-dressing and identity destruction.Pianist Eric Morrison and guitarist Andrew Deutsch met in a performing arts high school in South Florida and soon start collaborating on camcorder movies. The two rambled around various Floridian cities, moving from filmmaking to music. Eventually they landed in Tampa where they meet bassist Brad Truax and drummer Sean Martin and formally dubbed themselves Home (a nod to a fictional band in a soap opera they were writing). As the recordings started to pile up, they formed a label/collective called Screw Music Forever and began to offer $1 cassettes at local record stores. In a freak happenstance, one of these cassettes landed in the lap of a Relativity Records A&R man, who soon rolled up smoking large cigars and offering money for Home IX. After Home IX, Sean got a hold of some bad shellfish and disappeared for 10 years. Home carried on, making six more albums. Then, Sean reemerged, just as Brah Records befriended Home.
Home: The Home Boxset: I-VIII
The Home Boxset began unitentionally in 1991 when Eric Morrison and Andrew Deutsch, sharing a small apartment in Tampa, Florida, began to use a shared Radio Shack "supertape" to mix down their latest songs. When the tape was filled, it seemed to fill at least the technical definition of an album and 20 cassette copies were dubbed. These were loaded up into a candy jar, placed on the counter of Blue Chair Music in Tampa and sold for a dollar. As Home began to form into a proper band with the inclusion of Brad Truax and Sean Martin, the methodology remained in place, as songs were finished they were mixed down to a community tape and the Blue Chair jar would be replenished when each tape was filled. In the span of 2 and half years, Home recorded these eight albums on gruadually less crude equipment. Starting with two Realistic cassette decks that were wired together, and ending with a cassette 4-track machine. Brah Records is for the first time filling in the missing gap that will answer the question: Why does Home's discography begin with "IX"?
When Home visited Florida in 2005 for the annual Screw Music Forever "Come the Freak On" festival, they had original Home drummer Sean Martin sit in for a set of songs and the notion of reuniting to record a new album became inevitable. Sean suggested a concept album about fucking and it took little time for all to agree. They wrote nearly 50 songs on the subject, which were whittled down to 20 and recorded in a marathon 3-day weekend recording blitz. Chris Millstein shared drumming duties with Sean, while everyone switched up instruments as needed. The wide stylistic differences between the writers bleed across song borders and gelled into an overall sound that is difficult to categorize but easy to recognize as sex-friendly. The very sweet dudes in Oneida took an interest and offered to release it in their corner of JagJaguwar, Brah Records. Home graciously accepted.