Two legends, together again. Teenage Fanclub's Norman Blake and Half Japanese's Jad Fair have teamed up to bring you their new magnum opus, "Yes". Encompassing all the songwriting eccentricities that have made these guys famous, this new collaborative album also features some of the most genteel, engagingly catchy, and downright adorable music in recent memory.
Norman Blake and Jad Fair originally collaborated over a decade ago on the Teenage Fanclub and Jad Fair album "Words of Wisdom and Hope" (Domino/Alternative Tentacles). Unlike the simple, aggressive style of Half Japanese, the 13 new tracks on "Yes" feature refined, guitar-laden power pop and saccharin-sweet melodies, accompanied by backup singers and layered horn arrangements. Fair's characteristically-manic vocal style is still present, but when coupled with the head-bopping, articulately-layered arrangements of Norman Blake, the result is a potently earnest album that is brimming with positivity.
Who Me? is the next chapter in the ongoing story of Juan Wauters. Whereas his debut solo record was recorded casually over the course of one year, his new album was crafted in under two weeks at Future Apple Tree in Rock Island, Illinois. Inspired by both the arrangements of Uruguayan songwriter Jaime Roos and the production of American master Dr. Dre, this collection of songs presents his continued approach to existential questioning through pop music. Tracks like "She Might Get Shot" and "I Was Well," which may seem like wisdom addressed to the listener, are in fact part of Juan's reciprocal process of self-actualization through songwriting and performing. Bringing new sounds to his repertoire, "This Is I" and "Through That Red" add a spiritual tone with ethereal string arrangements. Juan's voice - which has risen to the forefront of his music since his first recordings with The Beets - intensifies with added nuance. This year Juan Wauters will continue to tour the world in support of his second solo record.
Out of the modern musical abyss comes Jackson Scott, a 22-year-old artist living in Asheville, NC. Finding pure metaphysical euphoria within the depths of cassette recorders and guitar pedals, he enjoys the simple things in life such as playing music with friends and falling into existential voids. After touring extensively in 2013 for his debut album Melbourne, released on Fat Possum Records, Jackson returned home to record an album that he could listen to in absolutely any negative or positive state of mind.
His second album Sunshine Redux is a translation of this paradoxical psyche, a kaleidoscope of sounds ranging from 60's flower power to 90's hip-hop production techniques. Veering from nihilistic punk rock explosions to gentle sonic nightmares, it is his most cohesive musical undertaking yet.
Paul de Jong is best known as the cofounder, cellist and resident found sound savant of the beloved, defunct collage-pop duo, the Books. Five years after that band delivered their final album, The Way Out, to much acclaim, de Jong delivers his first solo album. IF sets the Books' early albums (particularly The Lemon of Pink) as a starting point, and elevates that beguiling sense of wonder and amazement to genuinely transcendent new heights. De Jong's ability to find the musical in the mundane has always been uncanny - it is part of what made the Books so magical - and that gift is what makes IF such a marvelous curiosity, and such a true pleasure to hear. In de Jong's world, everything around him is a potential instrument: his mind-bogglingly vast collection of forgotten private press regional folk records, spoken-word oddities of indeterminate origin unearthed in discarded thrift store piles, and various everyday household utensils that we tend to take for granted. One man's trash is de Jong's tool to craft yet another treasure. Featuring a handful of friends and family as musical guests, IF steers a course from joyously eccentric folkpop to humorously inside-out jazz, resulting in a refreshing piece of outsider art with a replay value that's off the charts.
Back in November of 2012 Suuns and close friend Radwan Ghazi Moumneh of Jerusalem In My Heart spent a week in a Montreal studio creating a collaborative album pulling in their two distinct sounds into one set of fluid and trippy recordings. These songs were not heard live until over a year later at Pop Montreal in 2013 which jump started both sides' efforts to finish this truly unique record.
More than two years later now we are proud to present the final product, a self-titled collaborative album from Suuns and Jerusalem In My Heart out April 14th.
Partir to Live (2012) is a non-narrative film experience in sensations, in ethical confusion, and in physical and psychic contusions, directed by Domingo Garcia-Huidobro of Föllakzoid. Dutch minimalist composer Jozef van Wissem's score for the film consists of appropriated 12-string electric guitar drone, black baroque lute mirror images, and minimal electronics. For the first time ever, Sacred Bones Records will release the DVD and soundtrack LP together in a limited one-time pressing of 1000 copies.
Carrie & Lowell sounds like memory: it spans decades yet does not trade on pastiche or nostalgia. Stevens's gauzy double-tracked vocals wash across the dashboard of long-finned, drop-top Americana, yet as we race towards the coast we are reminded that sunshine leads to shadow, for this is a landscape of terminal roads, unsteady bridges, traumatic video stores, and unhappy beds that provide the scenery for tales of jackknifed cars, funerals, and forgiveness for the dead. Each track in this collection of eleven songs begins with a fragile melody that gathers steam until it becomes nothing less than a modern hymn. Sufjan recounts the indignities of our world, of technological distraction and sad sex, of an age without neither myths nor miracle - and this time around, his voice carries the burden of wisdom. Carrie & Lowell accomplishes the rare thing that any art should achieve, particularly in these noisy and fragmented days: By seeking to understand, Sufjan makes us feel less alone.
Stone Jack Jones is a survivor. On two separate occasions the rare and mysterious blood condition that courses through his steely West Virginian veins almost killed him. Doctors couldn't fully explain or treat his malady, but Jack pulled through, even after receiving last rites on one occasion. While recovering from one of his near death experiences he pondered the necessity of death, the torturous pain that comes with the death of someone you love, and eventually arrived at the simultaneously comforting and alarming conclusion that he was both alive and dead at the same time.
In 2014 he released Ancestor, an album which The Quietus called "... breathtakingly insightful and poetic...". Jack's new album Love & Torture was produced and engineered by Roger Moutenot (Yo La Tengo, Sleater-Kinney). Rather than recording everything over a few days or weeks in the studio, the two met up sporadically over the course of many months, giving the songs plenty of time to gestate and evolve in stride with Jack's life. Like a collection of swirling and inviting mantras Love & Torture is a sonic dialog that pulses with the all of the grace and bliss that has touched Jack's incredible life.
Ten road-weary tales from the wrong side of outlaw country. Jeff Cowell may have huffed the same narcotic air as Townes Van Zandt and David Allan Coe, but hunkered far from the Nashville city limits, nary a Cash or Paycheck would drunkenly slur through his tunes. Recorded in 1975, Lucky Strikes and Liquid Gold is an isolated, backwoods loner epic, top-loaded with odes to hitch-hiking and rambling the crumbling Michigan countryside of Cowell's hard-drinking youth. Previously available only out of the backs of borrowed cars, truck stops, campgrounds, and country-western bars between Algonac, Detroit, East Lansing, Cadillac, and Manistee, this LP now finds new life in similarly detached environs: the last remaining record stores.
John Carpenter has been responsible for much of the horror genre's most striking soundtrack work in the fifteen movies he's both directed and scored. The themes can instantly flood his fans' musical memory with imagery of a menacing shape stalking a babysitter, a relentless wall of ghost-filled fog, lightning-fisted kung fu fighters, or a mirror holding the gateway to hell. The all-new music on Lost Themes asks Carpenter's acolytes to visualize their own nightmares.
As is Carpenter's style, repetition is the key to the thundering power of these tracks, their energy swirling with shredding chords, soaring organs, unnerving pianos and captivating percussion. Horror fans will be reminded of Carpenter's past works, as well as ancestors like Mike Oldfeld's Tubular Bells and Goblin's Suspiria.
"They're little moments of score from movies made in our imaginations," Carpenter says. "Now I hope it inspires people to create films that could be scored with this music."
Captured Tracks is pleased to announce the release of Wearing Leather, Wearing Fur, the first fully collaborative recording by Juan Wauters and Carmelle following their duets on North American Poetry. This continuous, thirteen minute composition presents a concise suite of song, poetry, and instrumental passages that Juan and Carmelle developed through live performances since 2012. In Wearing Leather, Wearing Fur, Juan and Carmelle share the lead, navigating the listener through stages of varying emotional intensity as they sing themes of external identity and personal freedom.
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Before New Age hit terra firms at the dawn of the 1980s, the classically-trained Bay Area composer Jordan De La Sierra's consciousness soared with cosmic concepts. With cues and lessons from the great minimalists La Monte Young,Terry Riley, Pandit Pran Nath, and help from the venerable public radio program Hearts of Space, De La Sierra embarked on a journey in alternate tunings and resounding reverberations, transporting entranced listeners from the Golden Gates to the intergalactic. Take an interstellar ride on the sensory engulfing space piano with this lovingly recreated double LP set, complete with De La Sierra's India-inspired visual artwork and musings on the tableau of space.
Drummer Kid Millions and saxophonist Jim Sauter vaporize the annals of rock 'n' roll n' jazz into pulsating feedback/propulsion on Fountain - their second album. Across six pieces they explore massively hypnotic tonal harmonics and torrential rhythms. This is hardcore abstraction from two New York sherpas yanking us headlong into a third-eye odyssey, surpassing altitudes merely attempted by others. Kid is founding member of Oneida and the ace behind the percussion-focused Man Forever. Sauter is synonymous with the 35-year juggernaut Borbetomagus - pioneers of sound/jazz vivisection and inexorable vision. While both are known for feats of extreme artistic endurance, as a duo they opt for ferocious concentration - a savage pop-style of density and texture. As an omnipotent duo, neither Kid or Sauter anchors the other, instead they smash the fulcrum and spin perpetually in free-fall. LP in edition of 800, includes download.
Welcome to the world of Lord RAJA, a strange, sometimes perilous alternate dimension with beauty and decay in equal measure. It's a world built on the beat-centric music which flows through New York native Chester Raj Anand's stream of consciousness; here, half remembered hip-hop classics are spliced into '90s IDM, ambient, footwork, and experimental sound design. Our latest dispatch from Lord RAJA's uncanny realm is the impulsive and unpredictable A Constant Moth LP, 12 hyper-detailed scenes ripped from the surreal mayhem at play in the mind of this talented young producer.
TURNING - A concert film documentary captured during the critically acclaimed tour of Europe by Antony and the Johnsons and Charles Atlas during the fall of 2006, it explores the heart and experience of that series of performances. Through its synthesis of Antony's songs and unfurling video portraiture of the 13 beauties who performed on stage, TURNING creates an intimate and cinematic experience exploring themes of identity, transcendence and the revelation of essence.
Also included in the deluxe package is the full TURNING concert recorded live at The Barbican, London, Nov. 2006 and contains songs across the first three Antony and the Johnsons' full length albums along with bonus tracks never before released songs - "Whose are These" and "Tears Tears Tears". The classic lineup of Antony, Maxim Moston, Rob Moose, Julia Kent, Parker Kindred, Jeff Langston, and Thomas Bartlett can be heard on these recordings as Charles Atlas's projected portraits of the girls light up the stage from behind the band for the duration of the concert.