The acclaimed and highly sought-after LP by Hailu Mergia and the Walias, Tche Belew, an album of instrumentals released in 1977, is perhaps the most seminal recording released in the aftermath of the 1974 revolution. The story of the Walias band is a critical chapter in Ethiopian popular music, taking place during a period of music industry flux and political complexity in the country. Hailu Mergia, a keyboardist and arranger diligently working the nightclub scene in Addis Ababa, formed the Walias in the early 1970's with a core group of musicians assembled from prior working bands. They played Mergia's funk- and soul-informed tunes, while cutting 45rpm singles with various vocalists. While the Walias performed at top hotels and played the presidential palace twice, their relationship with the Derg regime was complex, evidenced by the removal of one song from the record by government censors.Decades later, Hailu Mergia was surprised to see the album fetching more than $4,000 at online auctions (it helped that the most popular of all Ethiopian tunes "Musicawi Silt" appeared on the record). Now everyone has the chance to listen again - or for the first time - to this timeless pillar of Ethiopian popular music.
Ethiopian keyboardist Hailu Mergia’s re-emergence on the international scene this year has inspired a slew of musicians and dreamers worldwide. The DC-based taxi driver made his name as one of the key players in the Ethiopian music scene in the 1970s. Following the critically-lauded reissue of his haunting, accordion-and-synth-drenched ode to classic Ethiopian music, Hailu Mergia & His Classical Instrument / Shemonmuanaye, comes Hailu Mergia Remixes, a digital EP featuring some of Awesome Tapes From Africa’s favorite artists. Norwegian producer and DJ Prins Thomas’ prolific portfolio of balearic productions and remixes, as well as his celebrated collaborations with Lindstrøm, has captured the world’s attention over the last several years. Slipping his spaced-out perspective into the mellow tempo of “Wegene,” the multi-layered, percussive remix soars while maintaining the mystique of Hailu’s characteristic bachelor pad jazz right-hand wanderings. Further delving into “Wegene” is the DC-based studio and live duo Protect-U. Aaron Leitko and Mike Petillo (the latter is a co-founder of the critically acclaimed Future Times label), build a cross-generational synth-based affinity with Hailu’s piece, preserving the undulating source groove while transforming the landscape into a futuristic beauty all its own. There is not a harsh toke to be found within the vibe they create amidst the already moody original.The final remix comes from El Guincho (aka Pablo Díaz-Reixa), whose continent-blurring XL Recordings releases, production work and remixes for artists including Björk and Empress Of have fascinated Awesome Tapes From Africa for a while now. The Canary Islands native responds to the Amharic standard “Ambasel” with an upbeat wit that pits a subtle dancefloor zone against hissy chill-out room sizzles.
Hailu Mergia is a one-man band. In 1985 master accordionist and veteran bandleader/arranger/keyboardist released the Hailu Mergia and His Classical Instrument cassette. In a nostalgic effort to bring back the vintage accordion sound of his youth, Mergia gave Ethiopian music a sonic makeover. Mergia was already celebrated for his work with the groundbreaking, industry-shifting Addis Ababa ethio-jazz and funk outfit the Walias Band, he pressed forward using new tools to retool the popular sounds of the past. Adding a Moog synthesizer, Rhodes electric piano and rhythm machine, to the rich harmonic layering of his accordion, he created elegantly arranged, hauntingly psychedelic instrumentals. These songs draw from famous traditional and modern Ethiopian songs, as Mergia brilliantly matches Amhara, Tigrinya and Oromo melodies to otherworldly flavors soaked in jazz and blues, synthesizing a lush, futuristic landscape. He balances Ethiopian music's signature melodic shape with beautiful analog synth touches floating upon clouds of hypnotically minimal rhythm tracks.