Botany: Lava Diviner (True Story)
When our human experiences defy articulation, music and film can sometimes be the only languages we have to communicate with. In 1975, Peter Weir directed Picnic at Hanging Rock, a haunting film in which a group of schoolgirls disappear while exploring a volcanic rock in the Australian outback. Through the film, Weir explores landscapes of intense memory, and the mysterious forces that bend, mold, and erode the core of our psyches. Similarly, Lava Diviner (Truestory), the debut full-length from Texas native, Spencer Stephenson, gives voice to those ancient transformative forces within ourselves, amplified to the point of distortion by the dry Texas heat.Though texturally inspired by early new age records like Iasos? Inter-Dimensional Music, and sample-based collage ventures like Colleen?s Everyone Alive Wants Answers, Lava Diviner (Truestory) is reinforced with a robust percussive backbone. Still, Stephenson never resorts to shallow MPC trickery or contrived mixtape clumsiness. Instead, his proto-new age textures float elegantly atop a primal boom-bap pulse to paint a detailed, rhythmic mural that has the scope of a ?70s prog rock epic. ?On Lava Diviner, I wanted to conjure that same headspace that artists like Roger Dean, and even Zdzislaw Beksinski project in their iconic paintings,? says Stephenson. ?I tried to evoke those grand, colorful, surreal landscapes that are mind-bending yet oddly comforting - sci-fi and epic and holy, all at the same time.?
Botany: Feeling Today
Feeling Today is Spencer Stephenson's debut release under the Botany moniker. The culmination of years of assembling music, this EP, and his forthcoming full-length, flow with a transcendental radiance. Under the gauzy patina of decades-old samples, this Texan sound-sculptor masterfully merges the past and the present, the earthly and the infinite.
Spencer recalls recording a casio keyboard onto cassette-tape at the age of 4, and becoming hooked on the simple idea that he could capture sounds and share them with those around him. Now 22, he's still at it, playing instruments and stitching sounds together in his home atop a hill, surrounded by trees, fringed by the wide Texas horizon.
Spencer explores the cosmic nexus of shimmering psychedelia, blissed-out pop, and instrumental hip-hop, as he turns recycled sounds into something thoroughly modern. For him there's a therapeutic value in reconfiguring the "noise" of an information-dense consumer culture into something nourishing and honest. He collects artifacts...scavenged bits of ephemera...all of the organic and inorganic matter that passes through our hands and heads everyday and he uses them to build something deeply personal. Ultimately, he reminds us that the natural world we are a part of is one of boundless wonder and color."