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Black Mountain: Black Mountain (10th Anniversary Deluxe Edition)

Available in limited edition Grey Vinyl. Black Mountain's self-titled debut album is a new classic rock, with reference points arcane and clear, its sound fresh, unfamiliar and irresistible. Savor the compact, spacey brilliance of this cosmic, heavy and subtle album, expanded now with a raft of delicious bonus tracks scavenged from the Black Mountain Army archives.

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2015-06-09
Sharon Van Etten: I Don't Want to Let You Down

One of music's most astute cartographers of the heart, able to squeeze enormous sentiments into especially small spaces, Sharon Van Etten offers up documents of surrender and disappointment, admission and longing with this 5 song EP, I Don't Want to Let You Down.

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2015-06-09
Sharon Van Etten: I Don't Want to Let You Down

One of music's most astute cartographers of the heart, able to squeeze enormous sentiments into especially small spaces, Sharon Van Etten offers up documents of surrender and disappointment, admission and longing with this 5 song EP, I Don't Want to Let You Down.

Includes: 1. I Don't Want to Let You Down ep on 12" vinyl. 2. I Don't Want to Let You Down ep on CD in a 6 panel wallet. 3. Limited Edition 7" featuring exclusive b-side "All Over Again." 4. 17" x 11" poster featuring album artwork. 5. Instant download of the title track. 6. Digital download code for the album (containing 320kbps MP3s) redeemable 2 weeks before release date on 05/25/2015.

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2015-05-26
Unknown Mortal Orchestra: Multi-Love
CD  $12.99     LP  $16.99    

The threads of our past never unravel, they hover like invisible webs, occasionally glistening due to a sly angle of the sun. On Multi-Love, Unknown Mortal Orchestra frontman and multi-instrumentalist Ruban Nielson reflects on relationships: airy, humid longing, loss, the geometry of desire that occurs when three people align. Where Nielson addressed the pain of being alone on II, Multi-Love takes on the complications of being together.

Multi-Love adds dimensions to the band's already kaleidoscopic approach, with Nielson exploring a newfound appreciation for synthesizers. The new songs channel the spirit of psych innovators without ignoring the last 40 years of music, forming a flowing, cohesive whole that reflects restless creativity. Cosmic escapes and disco rhythms speak to developing new vocabulary, while Nielson's vocals reach powerful new heights. "It felt good to be rebelling against the typical view of what an artist is today, a curator," he says. "It's more about being someone who makes things happen in concrete ways. Building old synthesizers and bringing them back to life, creating sounds that aren't quite like anyone else's. I think that's much more subversive."

While legions of artists show fidelity to the roots of psychedelia, Unknown Mortal Orchestra shares the rare quality that makes the genre's touchstones so vital: constant exploration.

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2015-05-26
Unknown Mortal Orchestra: Multi-Love (Deluxe Bundle)

Bundle includes: 1) Multi-Love on limited edition pink vinyl LP (while supplies last) and CD. 2) Limited edition 'SB-01/SB-02' 12", featuring 40 minutes of sonic exploration, formally released here for the first time. 3) Embroidered 3.5" patch featuring the UMO / Multi-Love logo in pink and yellow. 4) 11x17" poster. 5) Digital download code for the album (as a .zip file containing 320kbps mp3s) redeemable on May 12th, two weeks before release date

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2015-05-12
Guantanamo Baywatch: Darling... It's Too Late
CD  $11.99     LP  $14.99    

With Darling... It's Too Late, Guantanamo Baywatch sought to harness and manipulate the sparkling sounds from yesteryear, all while staying true to the tape hiss and rough takes of analog recording. "We really wanted a mixtape compilation sound to the record," says Powell, and that approach can be heard in both the songwriting and the production. According to Powell, each individual song was approached with all the amps and the EQs on the recording console zeroed out. That meant that every song was recorded with a new template. The title track and lead single, "Too Late", perfectly captures this new aesthetic. With Burger Records soul singer Curtis Harding contributing backing vocals and rounding out the classic Motown ballad vibe of the track, "Too Late" is an enormous departure from the trashy Mummies-esque ruckus of their earlier recordings. Of course, the band hasn't completely abandoned the rowdy surf rock of their previous releases--Powell put the finishing touches on the album back at his Jungle Muscles Studio in Portland to keep that rough-hewn feel intact. But even when he and his bandmates Chevelle Wiseman (bass) and Chris Scott (drums) tread on their familiar territory with songs like "Raunch Stomp" or their cover of Eddie & The Showmen's "Mr. Rebel", there's a newfound clarity, punch, and swagger to their sound. Throughout the course of Darling... It's Too Late the trio continues to fuck with various subgenres, from the dusty Western twang of "Corey Baum's Theme" to the straight-outta-Sun Studios rocker "Do What You Want."

The LP is available in a limited pressing of 1,000 copies on Peaches-and-Cream color vinyl. A digital download card for MP3 is included.

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2015-05-12
The Tallest Man On Earth: Dark Bird Is Home
CD  $12.99     LP  $17.99    

Dark Bird Is Home doesn't feel like it came from one time or one place. The songs were captured in various countries, studios and barns, carrying a weather-worn quality, some dirt and grit. This is Kristian Matsson at his most personal and direct, deeper and darker than ever at times, but it's also an album with strokes of whimsy and the scent of new beginnings.

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2015-05-12
The Tallest Man On Earth: Dark Bird Is Home (Deluxe Bundle)

Dark Bird Is Home in gatefold jacket on limited-edition white vinyl LP and CD in 6 panel wallet

11"x17" poster featuring album artwork, with photography by Cameron Wittig

T-Shirt with new design exclusive to the pre-order (size chart)

Early download of 1st single redeemable on February 25th

Digital download code for the album (as a .zip file containing 320kbps mp3s) redeemable 2 weeks before release date on April 28

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2015-05-12
The Weather Station: Loyalty
CD  $12.99    

In excess virtue lies danger, or at least limits to pragmatic action--it's a lesson hard learned by anyone disillusioned by the erosion of youthful mythologies. Strict fealty to a fixed ideal of identity doesn't do us any favors as adults. Loyalty, the third and finest album yet by The Weather Station (and the first for Paradise of Bachelors) wrestles with these knotty notions of faithfulness/faithlessness--to our idealism, our constructs of character, our memories, and to our family, friends, and lovers--representing a bold step forward into new sonic and psychological inscapes. It's a natural progression for Toronto artist Tamara Lindeman's acclaimed songwriting practice. Recorded at La Frette Studios just outside Paris in the winter of 2014, in close collaboration with Afie Jurvanen (Bahamas) and Robbie Lackritz (Feist), the record crystallizes her lapidary songcraft into eleven emotionally charged vignettes and intimate portraits, redolent of fellow Canadians Joni Mitchell, Leonard Cohen, and David Wiffen, but utterly her own.

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2015-04-28
Bill Fay: Who Is The Sender?

Ask Bill Fay about his relationship with his instrument and he says something revealing, not "Ever since I learnt to play the piano," but "Ever since the piano taught me..." What the piano taught him was how to connect to one of the great joys of his life. "Music gives," he says. And he is a grateful receiver. But, it makes him wonder, "Who is the sender?" Fay - who after more than five decades writing songs is finally being appreciated as one of our finest living practitioners of the art - asserts that songs aren't actually written but found. He recorded two phenomenal but largely overlooked albums for Decca offshoot Nova in 1970 and 1971. After 27 years of neglect, people like Nick Cave, Jim O' Rourke, and Jeff Tweedy were praising those records in glowing terms. Recorded in Ray Davies' Konk Studios, North London, Who Is The Sender? sees Bill expanding upon themes he has touched on from the beginning, spiritual and philosophical questions, observations about the natural world and the people in the city he has lived in all his life.

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2015-04-28
Colin Stetson and Sarah Neufeld: Never Were The Way She Was

Two of Constellation's acclaimed solo instrumental artists join forces on this tremendous new album of original compositions for horn and violin.

Colin Stetson has developed a unique and highly-acclaimed voice as a performer/composer, chiefly on bass and tenor saxophones, rallying an array of technical strengths and innovations to make some of the most captivatingly organic, darkly soulful and otherworldly solo instrumental work of recent years with his New History Warfare trilogy. The solo violin work of Sarah Neufeld has emerged more recently, and especially through 2011-2014, in the period between her primary band Arcade Fire's last two albums; she's forged a distinctive and evocative solo violin practice combining rock, folk, ambient and modernist sensibilities, culminating with her debut solo album Hero Brother in 2013.

'Never were the way she was' charts an expansive sonic trajectory with a multiplicity of structures and voicings that belies the fundamental economy of two acoustic instruments combining in real time. The resulting musical chronicle powerfully establishes its own spatial and temporal horizon; Stetson and Neufeld offer up an impressively immersive integration of composition, performance, timbre and texture. 'Never were the way she was' is a sum quite definitively and thrillingly greater than its parts.

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2015-04-14
Ava Luna: Infinite House
MP3  $9.99     CD  $9.99     LP  $15.99    

While on a writing retreat in the sleepy southern town of Benton, Mississippi, the members of New York's Ava Luna came across an abandoned house while on a walk through the woods. Overgrown, rotting, and littered with evidence of its past inhabitants, the maze-like dwelling would haunt their psyches throughout the writing and recording of their third full-length Infinite House. Like Borges' "Library of Babel", the seemingly endless rooms and hallways in the old house felt like a metaphor for the invisible, internal labyrinths, which the band explores lyrically and sonically on their new album.

Recorded by drummer Julian Fader and vocalist/guitar player Carlos Hernandez, and mixed by Dave Fridmann (Flaming Lips, Spoon, MGMT), it is safely their most polished recording to date. But their trademark intensity, mirthful humor, and angularity remain resolutely in place, the burnished surfaces illuminating the stories beneath like never before. By questioning, or maybe just forgetting the rules of the real world, on Infinite House the band has grown beyond the "nervous soul" descriptor they've been tagged with in the past, delivering an album on which nightmarish moments can phoenix into revelations that help us reconnect with the surreal magic in our everyday lives.

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2015-04-14
Cheena: Cheena
MP3  $2.97     7"  $5.99    

Citing wildly diverse influences - Gary Glitter, Slade, uppers, (cartoonish) depression, Iggy Pop, '70s iron-on font, Sex Pistols, booze and Hawkwind -Cheena's unifying theme is defiantly one of late '70s/ early '80s New York glam and cow-punk. Eschewing the genre boundaries in which their other projects are so deeply entrenched, the band manages to channel a pre-internet spirit painfully nonexistent in this age of Tumblr fashion and Discogs record collectors.

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2015-04-14
Delia Gonzalez: In Remembrance

DFA Records is proud to announce the release of In Remembrance, a multimedia project by acclaimed contemporary artist Delia Gonzalez. Delia transplanted from Miami to New York City in the mid-1990s, working in various dance and guerilla theatre troupes. It was around this time that she met synth wizard Gavin Russom, beginning a series of multi-disciplinary collaborations, one of the most notable being their album of cosmic acid-house "The Days of Mars", released by DFA in 2005. Single "Relevee" is oft-cited as one of the high points of DFA's early years, especially the monstrous remix by Detroit techno legend Carl Craig.

In Remembrance is the next landmark in Delia's artistic pursuits. The project originates in a 2010 solo show of the same name at Galleria Fonti in Naples, which was further realized in 2012. The exhibitions consisted of four 16mm ballet dance films, accompanied by music composed by Gonzalez. The films were exhibited in 2012 at Clocktower Gallery in NYC, with a live performance featuring underground musicians Bryce Hackford and Alice Cohen. Bryce Hackford contributes a second disc of remixes, turning Delia's delicate piano score into left-field club bangers.

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2015-04-14
Dinner: Three EPs, 2012-2014
CD  $12.99     LP  $18.99    

Dinner is the alias for Danish singer and producer Anders Rhedin. Since 2012, Dinner has released two EPs (Girl and You Are Like LA) and a guided meditation tape. This Fall, in collaboration with Texas label Red Eye Transit, we will be releasing his latest effort Oui!, a four-track EP that serves as a powerful introduction to this idiosyncratic musician. Dinner's songs seem to be inspired by his own life - in the lyrics you find references to cities, parties and girls (the latter sometimes referred to as the "divine feminine"). Dinner himself claims that "All the songs are about death and transcendence."

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2015-04-14
O. D. Davey: Catgut Tape
MP3  $9.99    

Catgut Tape is the debut solo album by the British songwriter O.D. Davey, available on LP, CD and digitally from Tomlab Records.

Recorded by its author during his late teens and early adulthood in the polar British counties of Aberdeenshire and Essex, it is a collection of love songs set amidst the tragicomedy of youth and the landscapes that stage it. Born of necessity, its pallet of sound is simple but singular; a bitcrushed and baseless skeleton of wooden guitar, drum pad and plastic organ, all under a voice that tells stories, sometimes as one person, sometimes as another, but always with sincerity and humour.

There are few direct comparisons: the melodic playfulness of Micachu & The Shapes; the open romance of Thom Yorke; the harsh, dry narratives of English folk; the barbed hooks of a CITV advert break, its jingles made meaningful. There is a style at play within Catgut Tape that is hard to define perhaps because it is just a means to an end, the songs themselves smart enough to be sung a dozen ways.

As the voice and words within the duo KLAAR, Davey is already causing a stir within the depths of the electronic music scene. And, under one pseudonym or another, the makings of Catgut Tape have been gaining airtime on BBC Radio 1, BBC 6Music and London's Resonance FM even before the album's completion. Now, perfectly homed within the Tomlab roster, this melodically delicate and lyrically blunt collection of very British songs is the first introduction to the work of this unexpected and original new voice.

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2015-04-14
Pale Blue: The Past We Leave Behind

Mike Simonetti has decided to split from Italians Do It Better (Chromatics, Glass Candy) to focus on his new project, Pale Blue, as well as his new venture: the freshly minted label 2MR (Two Mikes Records). A collaboration between Simonetti and Captured Tracks, 2MR is an opportunity for Simonetti to start from a blank slate and release music he believes in.

The first release on 2MR will be The Past We Leave Behind, the debut album from Pale Blue.

During the writing process of Capricorn Rising, Simonetti was asked to remix tracks from the West Coast twosome Silver Hands. Immediately taken by the incredible range of lead-vocalist Elizabeth Wight, he reached out to collaborate. The result of the bi-coastal email exchange would eventually become Pale Blue.

Pale Blue, referencing the term "Pale Blue Dot" , coined by Carl Sagan to refer to a photograph of planet Earth taken by the Voyager 1 space probe in 1990, was originally conceived around the time that Hurricane Sandy hit New York and came to completion with Simonetti's severance from Italians. Thus, many of the tracks that make up The Past... grapple with themes of loss and new beginnings.

The Past... encompasses a myriad of sonic elements, ranging from rhythmic, melodic techno to atmospheric ambient productions, while also incorporating Simonetti's varied background in noise, drone, and even experimental dream pop. Above it all though, Wight's vocals remain the focal point, saturating the record with a lush melodic warmth that's so often missing in the electronic world.

Musically, Pale Blue is a response to modern dance music and its constant fluctuations. It intentionally bears no obvious singles, nor club hits. While Simonetti, Wight and Jana Hunter (vocals on "Dusk in Parts") remain at its core, Pale Blue's philosophy is to keep everything open to collaboration. It does not aim to pigeonhole itself into a genre or any new vistas in music, but instead to a unifying sound produced collectively and harmoniously.

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2015-04-14
Part 1: Funeral Parade

Part 1's underground deathrock classic Funeral Parade is finally seeing a reissue after years of being out of print. This edition is a remastered 12" vinyl in a deluxe gatefold sleeve with accompanying horror zine I... Paraworm, packed with never-seen text and unpublished artworks from the pen of guitarist Mark Ferelli, all contemporaneous to the original 1982 release.

Robert Aiki Aubrey Lowe & Ariel Kalma: FRKWYS Vol. 12 - We Know Each Other Somehow

For the twelfth volume of FRKWYS, Robert Aiki Aubrey Lowe and Ariel Kalma offer We Know Each Other Somehow. Recorded outside of Mullimbimby, a remote community on the eastern Australian coast, the album pairs two synth voyagers for six extended evocations of environmental ambience and entrancing naturalism. Accompanied by Sunshine Soup, a feature length documentary based on the intergenerational collaboration, We Know Each Other Somehow summons another world in an otherworldly part of the planet.

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2015-04-14
Stranger Cat: In The Wilderness
MP3  $9.90     CD  $12.99    

Stranger Cat is the new project from Cat Martino, Sufjan Stevens' right hand woman for the Age of Adz tour and record, as well as All Delighted People. Cat was also a recording and touring member of Sharon Van Etten's band circa Epic. She appeared with The Shins on SNL and Williamsburg Park, played in Passion Pit at Governor's Ball, and sings on the Son Lux record Lanterns.

Cat retreated from Brooklyn, NY to winter in the Sierra Foothills to write and record songs emerging from loops using her voice, synths, and percussion. With her pedal chain and gear in a small cottage she explored the gamut from ethereal to turbulence. Simple melodies or beats became powerful walls of sound melting through snowstorms, howling winds and stark silence nestled inside gargantuan oaks and the infinite starry dome.

Joined by Sven Britt for a week, each of them traded making beats, or melodic parts on casios, synths, guitars, branches and spoons, while the other recorded. Out of this adventure was born "In The Wilderness", the duo's debut full-length out April 14th on Joyful Noise Recordings.

Suuns and Jerusalem In My Heart: Suuns and Jerusalem In My Heart
MP3  $6.99     CD  $12.99    

Back in November of 2012 Suuns and close friend Radwan Ghazi Moumneh of Jerusalem In My Heart spent a week in a Montreal studio creating a collaborative album pulling in their two distinct sounds into one set of fluid and trippy recordings. These songs were not heard live until over a year later at Pop Montreal in 2013 which jump started both sides' efforts to finish this truly unique record.

More than two years later now we are proud to present the final product, a self-titled collaborative album from Suuns and Jerusalem In My Heart out April 14th.