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2015-05-26
Unknown Mortal Orchestra: Multi-Love
CD  $12.99     LP  $16.99    

The threads of our past never unravel, they hover like invisible webs, occasionally glistening due to a sly angle of the sun. On Multi-Love, Unknown Mortal Orchestra frontman and multi-instrumentalist Ruban Nielson reflects on relationships: airy, humid longing, loss, the geometry of desire that occurs when three people align. Where Nielson addressed the pain of being alone on II, Multi-Love takes on the complications of being together.

Multi-Love adds dimensions to the band's already kaleidoscopic approach, with Nielson exploring a newfound appreciation for synthesizers. The new songs channel the spirit of psych innovators without ignoring the last 40 years of music, forming a flowing, cohesive whole that reflects restless creativity. Cosmic escapes and disco rhythms speak to developing new vocabulary, while Nielson's vocals reach powerful new heights. "It felt good to be rebelling against the typical view of what an artist is today, a curator," he says. "It's more about being someone who makes things happen in concrete ways. Building old synthesizers and bringing them back to life, creating sounds that aren't quite like anyone else's. I think that's much more subversive."

While legions of artists show fidelity to the roots of psychedelia, Unknown Mortal Orchestra shares the rare quality that makes the genre's touchstones so vital: constant exploration.

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2015-05-26
Unknown Mortal Orchestra: Multi-Love (Deluxe Bundle)

Bundle includes: 1) Multi-Love on limited edition pink vinyl LP (while supplies last) and CD. 2) Limited edition 'SB-01/SB-02' 12", featuring 40 minutes of sonic exploration, formally released here for the first time. 3) Embroidered 3.5" patch featuring the UMO / Multi-Love logo in pink and yellow. 4) 11x17" poster. 5) Digital download code for the album (as a .zip file containing 320kbps mp3s) redeemable on May 12th, two weeks before release date

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2015-05-12
Guantanamo Baywatch: Darling... It's Too Late
CD  $11.99     LP  $14.99    

With Darling... It's Too Late, Guantanamo Baywatch sought to harness and manipulate the sparkling sounds from yesteryear, all while staying true to the tape hiss and rough takes of analog recording. "We really wanted a mixtape compilation sound to the record," says Powell, and that approach can be heard in both the songwriting and the production. According to Powell, each individual song was approached with all the amps and the EQs on the recording console zeroed out. That meant that every song was recorded with a new template. The title track and lead single, "Too Late", perfectly captures this new aesthetic. With Burger Records soul singer Curtis Harding contributing backing vocals and rounding out the classic Motown ballad vibe of the track, "Too Late" is an enormous departure from the trashy Mummies-esque ruckus of their earlier recordings. Of course, the band hasn't completely abandoned the rowdy surf rock of their previous releases--Powell put the finishing touches on the album back at his Jungle Muscles Studio in Portland to keep that rough-hewn feel intact. But even when he and his bandmates Chevelle Wiseman (bass) and Chris Scott (drums) tread on their familiar territory with songs like "Raunch Stomp" or their cover of Eddie & The Showmen's "Mr. Rebel", there's a newfound clarity, punch, and swagger to their sound. Throughout the course of Darling... It's Too Late the trio continues to fuck with various subgenres, from the dusty Western twang of "Corey Baum's Theme" to the straight-outta-Sun Studios rocker "Do What You Want."

The LP is available in a limited pressing of 1,000 copies on Peaches-and-Cream color vinyl. A digital download card for MP3 is included.

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2015-05-12
The Tallest Man On Earth: Dark Bird Is Home
CD  $12.99     LP  $17.99    

Dark Bird Is Home doesn't feel like it came from one time or one place. The songs were captured in various countries, studios and barns, carrying a weather-worn quality, some dirt and grit. This is Kristian Matsson at his most personal and direct, deeper and darker than ever at times, but it's also an album with strokes of whimsy and the scent of new beginnings.

Dark Bird Is Home on CD in 6 pannel wallet

Early download of 1st single redeemable on February 25th

Digital download code for the album (as a .zip file containing 320kbps mp3s) redeemable 2 weeks before release date on April 28

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Artist
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2015-05-12
The Tallest Man On Earth: Dark Bird Is Home (Deluxe Bundle)

Dark Bird Is Home in gatefold jacket on limited-edition white vinyl LP and CD in 6 panel wallet

11"x17" poster featuring album artwork, with photography by Cameron Wittig

T-Shirt with new design exclusive to the pre-order (size chart)

Early download of 1st single redeemable on February 25th

Digital download code for the album (as a .zip file containing 320kbps mp3s) redeemable 2 weeks before release date on April 28

Title
Artist
Label
Release Date
2015-05-12
The Tallest Man On Earth: Dark Bird Is Home (Deluxe Bundle)

Dark Bird Is Home in gatefold jacket on limited-edition white vinyl LP and CD in 6 panel wallet

11"x17" poster featuring album artwork, with photography by Cameron Wittig

T-Shirt with new design exclusive to the pre-order (size chart)

Early download of 1st single redeemable on February 25th

Digital download code for the album (as a .zip file containing 320kbps mp3s) redeemable 2 weeks before release date on April 28

Title
Artist
Label
Release Date
2015-05-12
The Tallest Man On Earth: Dark Bird Is Home (Deluxe Bundle)

Dark Bird Is Home in gatefold jacket on limited-edition white vinyl LP and CD in 6 panel wallet

11"x17" poster featuring album artwork, with photography by Cameron Wittig

T-Shirt with new design exclusive to the pre-order (size chart)

Early download of 1st single redeemable on February 25th

Digital download code for the album (as a .zip file containing 320kbps mp3s) redeemable 2 weeks before release date on April 28

Title
Artist
Label
Release Date
2015-05-12
The Tallest Man On Earth: Dark Bird Is Home (Deluxe Bundle)

Dark Bird Is Home in gatefold jacket on limited-edition white vinyl LP and CD in 6 panel wallet

11"x17" poster featuring album artwork, with photography by Cameron Wittig

T-Shirt with new design exclusive to the pre-order (size chart)

Early download of 1st single redeemable on February 25th

Digital download code for the album (as a .zip file containing 320kbps mp3s) redeemable 2 weeks before release date on April 28

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Artist
Label
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2015-05-12
The Weather Station: Loyalty
CD  $12.99    

No description available right now...

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2015-04-28
Bill Fay: Who Is The Sender?

Ask Bill Fay about his relationship with his instrument and he says something revealing, not "Ever since I learnt to play the piano," but "Ever since the piano taught me..." What the piano taught him was how to connect to one of the great joys of his life. "Music gives," he says. And he is a grateful receiver. But, it makes him wonder, "Who is the sender?" Fay - who after more than five decades writing songs is finally being appreciated as one of our finest living practitioners of the art - asserts that songs aren't actually written but found. He recorded two phenomenal but largely overlooked albums for Decca offshoot Nova in 1970 and 1971. After 27 years of neglect, people like Nick Cave, Jim O' Rourke, and Jeff Tweedy were praising those records in glowing terms. Recorded in Ray Davies' Konk Studios, North London, Who Is The Sender? sees Bill expanding upon themes he has touched on from the beginning, spiritual and philosophical questions, observations about the natural world and the people in the city he has lived in all his life.

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2015-04-14
Delia Gonzalez: In Remembrance

DFA Records is proud to announce the release of In Remembrance, a multimedia project by acclaimed contemporary artist Delia Gonzalez. Delia transplanted from Miami to New York City in the mid-1990s, working in various dance and guerilla theatre troupes. It was around this time that she met synth wizard Gavin Russom, beginning a series of multi-disciplinary collaborations, one of the most notable being their album of cosmic acid-house "The Days of Mars", released by DFA in 2005. Single "Relevee" is oft-cited as one of the high points of DFA's early years, especially the monstrous remix by Detroit techno legend Carl Craig.

In Remembrance is the next landmark in Delia's artistic pursuits. The project originates in a 2010 solo show of the same name at Galleria Fonti in Naples, which was further realized in 2012. The exhibitions consisted of four 16mm ballet dance films, accompanied by music composed by Gonzalez. The films were exhibited in 2012 at Clocktower Gallery in NYC, with a live performance featuring underground musicians Bryce Hackford and Alice Cohen. Bryce Hackford contributes a second disc of remixes, turning Delia's delicate piano score into left-field club bangers.

Robert Aiki Aubrey Lowe & Ariel Kalma: FRKWYS Vol. 12 - We Know Each Other Somehow

For the twelfth volume of FRKWYS, Robert Aiki Aubrey Lowe and Ariel Kalma offer We Know Each Other Somehow. Recorded outside of Mullimbimby, a remote community on the eastern Australian coast, the album pairs two synth voyagers for six extended evocations of environmental ambience and entrancing naturalism. Accompanied by Sunshine Soup, a feature length documentary based on the intergenerational collaboration, We Know Each Other Somehow summons another world in an otherworldly part of the planet.

Suuns and Jerusalem In My Heart: Suuns and Jerusalem In My Heart
CD  $12.99     LP  $15.99    

Back in November of 2012 Suuns and close friend Radwan Ghazi Moumneh of Jerusalem In My Heart spent a week in a Montreal studio creating a collaborative album pulling in their two distinct sounds into one set of fluid and trippy recordings. These songs were not heard live until over a year later at Pop Montreal in 2013 which jump started both sides' efforts to finish this truly unique record.

More than two years later now we are proud to present the final product, a self-titled collaborative album from Suuns and Jerusalem In My Heart out April 14th.

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2015-03-31
Föllakzoid: III
CD  $12.99    

Föllakzoid began seven years ago as a trance experience between childhood friends Diego, Juan Pablo, and Domingo from Santiago, Chile. Heavily informed by the heritage of the ancient music of the Andes, the band has learned to integrate this influence with contemporary sounds of their times, creating a rich yet minimal atmosphere. III is a four-part minimal sound voyage in which you can hear Föllakzoid's musical language developing into something more upbeat, obscure, and sharp, yet even simpler in terms of elements.

Godspeed You! Black Emperor: Asunder, Sweet And Other Distress

Godspeed You! Black Emperor (GYBE) returns with its first single LP-length release since the group's earliest days in 1997-99. 'Asunder, Sweet And Other Distress' clocks in at a succinct 40:23 and is arguably the most focused and best-sounding recording of the band's career. Following Godspeed's return from a long hiatus at the end of 2010 to begin playing live shows again, and with the hugely acclaimed 'Allelujah! Don't Bend! Ascend!' release in 2012 marking their first new release in a decade, the group slowly and steadily put the new album together through late 2013 and 2014. This mighty slab of superlative sonics is shot through with all the band's inimitable signposts and touchstones: huge unison riffage, savage noise/drone, oscillating overtones, guitar vs. string counterpoint, inexorable crescendos and scorched-earth transitions. 'Asunder, Sweet And Other Distress' finds Godspeed in top form; a sterling celebration of the band's awesome dialectic, where composition, emotion and 'note-choice' is inextricable from an exacting focus on tone, timbre, resonance and the sheer materiality of sound.

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2015-03-31
Ryley Walker: Primrose Green
CD  $12.99     LP  $16.99    

Ryley Walker is the reincarnation of the true True American guitar Guitar player Player. That's as much a testament to his roving, rambling ways, or as to the fact that his Guild D-35 guitar has endured a few stints in the pawnshop.

Primrose Green begins near where All Kinds of You, his last record, leaves off but quickly pushes far afield. The title sounds pastoral and quaint, but the titular green has dark hallucinogenic qualities, as does much of the LP. The band is a mixture of new and old Chicago talent, blending both jaded veterans of the post-rock and jazz mini-circuits together with a few eager, open-eared youths.

Ryley didn't have much time to write this LP, so some of it he didn't. Bits of lyrics were improvised into full-blown songs in the studio, more often than not on the fly. The title track "Primrose Green" was nearly discarded after its incarnation on a bleak St. Patrick's Day spent in Oxford, Mississippi. "Primrose Green" is a colloquial term for a cocktail of whiskey and morning glory seeds that has a murky, dreamy, absinthian quality when imbibed, and a spirit-crushing aftereffect the morning after. "Summer Dress" is liftoff: seizing the mantle from Tim Buckley's Starsailor and perfecting its frantic jazz-induced fits. It was written in a dressing room in upstate New York, but perfected in rehearsal, veering between a six and ten minute epic. Contained here is the flawless conclusion, but reference the live set to experience the full possibilities of this anarchic work.

A forgotten roadside hotel in Tennessee yielded one song, "Same Minds", with just a hint of self-loathing. It was kicked around in rehearsal until taking its shape as a drifting bit of dreamy jazz. A 5-day stretch in Austin, mostly staying on Lechuguillas' Jason Camacho's tile floor with no blanket in a room barely large enough for one yielded most of the rest of the lyrics. "Griffiths Buck's Blues" was almost jettisoned but a thumbs-up from Jason kept it in the repertoire. Griffith Buck was named for a local artist and eccentric botanist in Ryley's hometown of Rockford, Illionois who has likely had few other songs named for him. "Love Can Be Cruel" spends almost two minutes "out" before becoming the song it was originally intended to be. Drummer Frank Rosaly pushes the song further and further until it borders on a cathartic meltdown to close out Side A.

Side B sets off with a shot of Americana, "On The Banks Of The Old Kishwaukee". It's an ode to the immersion baptisms Ryley's witnessed while walking along the banks. Unlike the idyllic memories of christenings under the weeping willows while a crowd looks on happily in their Sunday's best at the healthy young catechumens; the river was brown and polluted, and the participants dirty and tired and disinterested. "Sweet Satisfaction" presents some of Ryley's most intricate and ecstatic fingerpicking. It's hard not to recall John Martyn's early 1970s work, though Ben Boye's piano work is particularly revelatory here. "The High Road" was written while the trio of Ben, Ryley, and Brian Sulpizio (guitar) were on tour, opening for Cloud Nothings. Stuck crashing in a busted, unheated old house in New Orleans Ben sunk into a depression, Brian drank and Ryley drank, but also managed to turn out this ode to the rambling life.

"All Kinds Of You" is the oldest song included here. The title should seem familiar... it was written after his first LP, All Kinds of You, was finished, but the name seemed to fit that collection of songs better than anything else. Side B closes with a bit of tossback: "Hide In The Roses", the only solo jam included herein. Cooper Crain (Cave, Bitchin' Bajas), de-facto producer of the record, encouraged Ryley to use the extra studio time to bang something out, and this brilliant piece of Anglophilia emerged as the album's closer.

No one knows what the future holds for young Ryley Walker. Hardship and setbacks and dilapidated housing uncertainty only seem to spur him on creatively. Here, with this record, we risk limiting his access to personal disaster by flirting with success. A short lifetime of interminable practice and discipline have resulted in a masterpiece of an album, an album of a sort we haven't seen since the 1970s. If the world catches on, the Ryley that follows up this album may be a different sort of person, one who knows the taste of better liquor and comfortable bedding and might not be nearly as driven. I think he will be just as visionary, though less hungry, but either way... this is the time to get on the Ryley Walker bandwagon. Here, with Primrose Green, we risk limiting his access to personal disaster by flirting with success.

Lilacs & Champagne: Midnight Features Vol. 2: Made Flesh
LP  $17.99    

Instrumental psychedelic hip-hop hybrid Lilacs & Champagne spent their first two albums shining a light on the darkest corners of vintage European cinematic oddities. Their eponymous debut album and the follow-up, Danish & Blue, were warped, psychedelic takes on damaged funk and b-movie film scores. With their palette now thoroughly smeared, coconspirators Emil Amos and Alex Hall are flirting with the makings of a masterpiece in Midnight Features Vol. 2: Made Flesh. From the mournful opening breaths of "Roses & Kisses" - a new career high point for the band - it's obvious they are charting a dynamic new course that simultaneously pays tribute to and explodes the legendary beatmakers that came before. Midnight Features Vol. 2 skins traditional hip-hop to its bones, then builds it back up with the flesh of Eastern European private press psych records, obscure film soundtracks, indistinguishable radio broadcasts, library tapes, and who knows what else from who knows where else. The most remarkable feat of Midnight Features Vol. 2 is not the impressive array of sound sources, but how Lilacs have managed to orchestrate so many seemingly disparate genres into one cohesive future music. They execute sudden changes in mood and tone with uncanny dexterity and grace - a feat made more impressive by their newly expanded live line-up that includes Jay Clarke (Ash Black Buffalo) and Zac Reno. They've clearly found their groove, and they're just starting to dig in.

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2015-03-17
Stone Jack Jones: Love & Torture
LP  $14.99    

Stone Jack Jones is a survivor. On two separate occasions the rare and mysterious blood condition that courses through his steely West Virginian veins almost killed him. Doctors couldn't fully explain or treat his malady, but Jack pulled through, even after receiving last rites on one occasion. While recovering from one of his near death experiences he pondered the necessity of death, the torturous pain that comes with the death of someone you love, and eventually arrived at the simultaneously comforting and alarming conclusion that he was both alive and dead at the same time.

In 2014 he released Ancestor, an album which The Quietus called "... breathtakingly insightful and poetic...". Jack's new album Love & Torture was produced and engineered by Roger Moutenot (Yo La Tengo, Sleater-Kinney). Rather than recording everything over a few days or weeks in the studio, the two met up sporadically over the course of many months, giving the songs plenty of time to gestate and evolve in stride with Jack's life. Like a collection of swirling and inviting mantras Love & Torture is a sonic dialog that pulses with the all of the grace and bliss that has touched Jack's incredible life.

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2015-03-17
Sur Une Plage: Legerdemain
LP  $15.99    

Legerdemain - a trick, a slight of hand, a skill to make an audience believe that something is other than what it appears to be. Such is the case with Sur Une Plage's first studio album, a collection of pop songs, stripped of their organic beginnings to reveal a colder, more cynical outlook towards an uncertain future. Past experiences - mistakes, successes - should offer clues for successful navigation of future occurrences, yet with such a dismal track record, is there any assurance that these missteps will not be repeated? Recorded over a half year, "Legerdemain" is the culmination of an idea formed by Joshua Wells and Colin McKill during an unrelated tour ages ago. The idea was a musical project typifying simplicity; sparse instrumentation with vocals, harkening back to an age simultaneously of singer/songwriters and the first forays into synthesized music. Warmth, and hope, fighting through cuspidated obstacles - perhaps humanity's most enduring trick; its salvation in the face of overwhelmingly bleak odds.

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2015-03-03
Ata Kak: Obaa Sima

Ata Kak's cassette Obaa Sima fell on deaf ears when it was self-released in Ghana and Canada in 1994. The music on the recording - an amalgam of highlife, Twi-language rap, funk and disco - is presented with the passion of a Prince record and the DIY-bedroom-recording lo-fi charm of early Chicago house music. The astute self-taught song craft and visionary blend of sounds and rhythms has made the album a left-field cult favorite among adventurous listeners worldwide. Awesome Tapes From Africa founder Brian Shimkovitz found the tape in 2002 in Cape Coast, Ghana - one of only a few ever pressed - and later made it the inaugural post on the Awesome Tapes From Africa blog. Hundreds of thousands of downloads, YouTube views, music video tributes and remixes, as well as years of mystery regarding Ata Kak's whereabouts, culminate in this remastered release featuring rare photos and the full back story of one of the internet age's most enigmatic musicians.

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2015-03-03
Au.Ra: Jane's Lament
CD  $12.99     LP  $17.99    

Sydney's Au.Ra, a duo composed of Tim Jenkins and Tom Crandles, are set to release their new full length Jane's Lament, a work which carefully envelops the listener in dreamy hues of sound. Made over the course of two years, the LP was birthed from improvised jams the pair play over droning guitars and looped drum beats. Tracks like "Sun," and "Pyramid" emerge slowly out of interplays between simple melodies and layered, reverbed instrumentation.

Au.Ra's "emotive soundscapes" perfectly encase their nontraditional pop songwriting, like on highlight "Morning," where shimmering guitar riffs transport you to a serene, meditative realm. Their repetitive lyrics belie this easy transcendence, sometimes even verging on incantation. These songs evoke a languid drive along a bending highway in autumn, the scenery and light shifting ever so slowly out the windows. As the sun sets earlier, this is an album to savor with the dying light.

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2015-03-03
Fluoride: Material

Fluoride is an experimental project from NYC consisting of Dustin Payseur (Beach Fossils) and Rene Nuñez (Herzog Rising). After playing together in the noise-punk band Divorce Money, the two banded together in 2012. The motivation was to combine the harsh cacophony of industrial music with the larger textures of contemporary production styles. Their debut album Material is thematically uncompromising, featuring imperative lyrics and harsh undertones. The collaboration utilizes Dustin's songwriting, creating the pounding rhythms and blown-out electronic soundscapes which they both share vocal duties over.

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2015-03-03
Lotic: Heterocetera

In 2014, 'Damsel in Distress' a free mixtape album created by 23 year old J'Kerian Morgan, aka Lotic, garnered universal praise from all who heard it. Consisting of all original material and mind-warping edits of smash hits like 'Drunk in Love' by Beyoncé, the mixtape was lauded as an 'important turning point' in regards to where electronic music could go next. Now based in Berlin, but originally from Texas, Lotic has also attracted significant buzz as a member of the Janus crew, a collective of producers and DJs who have gained a reputation for throwing some of the most forward thinking club events in Europe. Having already been profiled in The New York Times and The Fader, as well as by countless other independent music sites, the recurring message is that Lotic is at the center of a new scene of musicians who are pushing boundaries and creating something uncategorizable and truly unique. 'Heterocetera' is Lotic's first official release since the unveiling of 'Damsel in Distress' and marks the producer's debut on Tri Angle. This is the sound of tomorrow, today.

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2015-03-03
Moon Duo: Shadow of the Sun

Shadow of the Sun is the result of a few months of Moon Duo wrangling with a new and unsettling way of being. Working both in a dark basement in Portland, and above ground in sunny San Francisco, these new sounds and songs veered dramatically from groove to groove, revealing sonic textures the duo had not previously explored. The song "Night Beat", with it's woozy dance rhythm, is an attempt at finding joy and acceptance on this new, shifting ground, while "Wilding" plays off the familiar Moon Duo sound, taking refuge in a repetitive, grounding riff-scape. Elsewhere the band gives itself entirely up to the trip, cruising along on the fuzzed rhythms of "Slow Down Low" and "Free the Skull", crashing into the clenched-teeth herky-jerk of Zero, and floating down, down, down, on the narcotic mist of "In a Cloud".

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2015-03-03
No Age: Weirdo Rippers
LP  $17.99    

By now the two young heavyweights from the LA Skate / Art / Punk underworld, No Age, are a well-known and established part of the indie pantheon. But back in 2007 Dean Spunt and Randy Randall were just building quite a bit of noise in the wake of the demise of their previous band Wives.

After working out their sound in the LA scene revolving around the now fabled venue The Smell (pictured on the cover of Weirdo Rippers) they decided to release five ltd. vinyl only releases on a variety of DIY indie labels across the globe on the same day (namely UTR, Deleted Art, Teardrops, Youth Attack, and Dean's own PPM label). Their debut LP release for FatCat, 'Weirdo Rippers', was a collection of recorded highlights taken from the aforementioned releases. At the time it was readily available on CD and has since found a home digitally but it's not found its way back to the vinyl format that first gave many of these tracks life. Now we're presenting the first domestically available version of 'Weirdo Rippers' pressed to vinyl; an utterly essential piece of No Age's past.

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2015-03-03
Null: Almost (Clear Vinyl)

For a release so diverse in its influences, Almost is a near impossibly cohesive introduction to emerging artist Null. Through melancholic, fragile compositions the Melbourne, Australia-based producer refocuses our attention on the mid 90s catch-all "Electronica" through contemporary genres ranging from Jersey House to Footwork to Trap. Frequently derided, Electronica was posited as a homogenizing term for a rapidly proliferating host of electronic genres to the North American market, in much the same way that EDM exists today. Null explores a space in which he condenses the diversity of that "genre" - essentially attempting to create work that can wear the Electronica badge earnestly.

Available as limited edition EP pressed on 'ultraclear' vinyl, the stunning techno-organic design of design firm Oval-X (How To Dress Well, Digitalism, CFCF) is presented in a heavy card sleeve with gloss finish and a metal "tamper-proof" security sticker. With Almost serving as an introduction to Null's considerable talent, he will expand his horizons further with a full album in late 2015.

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2015-03-03
Palmbomen II: Palmbomen II

Kai Hugo works in two guises. Palmbomen is a group-oriented collaboration suited for live dynamics and instrumentation, while Palmbomen II is geared toward solitary production with an austere toolset: classic sequencers, time-tested drum machines and their contemporary counterparts. Hugo's foray as Palmbomen II makes its debut on Beats In Space Records with the eponymous full-length Palmbomen II.

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2015-03-03
Red Sea: In The Salon

Red Sea is a group raised in the sugar-coated bubble heartlands of Northern Metropolitan Atlanta. After an extended period of musical experimentation with other various groups and by virtue of agreeing aesthetic values, social and geographic proximity, the current members, Kyle, Mick, Patrick and Stephen coalesced circa 2009. As of late, their influences are said to have stemmed from tropicalia, funk, classical and gamelan music. Red Sea's latest EP, In The Salon, showcases its taste through a bricolage of pop tracks, all of which were recorded live with electric guitars, synthesizers, bass and drums. The boys sing words that humor auto-suggestive techniques over synthi-mutant ballads & fragmented rhythms which emulate the digitally contrived worlds of sound that they create.