TURNING - A concert film documentary captured during the critically acclaimed tour of Europe by Antony and the Johnsons and Charles Atlas during the fall of 2006, it explores the heart and experience of that series of performances. Through its synthesis of Antony's songs and unfurling video portraiture of the 13 beauties who performed on stage, TURNING creates an intimate and cinematic experience exploring themes of identity, transcendence and the revelation of essence.
Also included in the deluxe package is the full TURNING concert recorded live at The Barbican, London, Nov. 2006 and contains songs across the first three Antony and the Johnsons' full length albums along with bonus tracks never before released songs - "Whose are These" and "Tears Tears Tears". The classic lineup of Antony, Maxim Moston, Rob Moose, Julia Kent, Parker Kindred, Jeff Langston, and Thomas Bartlett can be heard on these recordings as Charles Atlas's projected portraits of the girls light up the stage from behind the band for the duration of the concert.
Original 1994 album remastered and repackaged in an expanded gatefold and pressed on 180 gram virgin vinyl.
"On a family vacation to Florida in the mid-'70s, Bubba cut his head on the bedside table in a motel room. I still remember it vividly and how I was haunted by the matter-of-fact line: 'you cut your head on the bedside table.' Its ten syllables sounded right, but the content is what really haunted me. It felt like the ultimate betrayal, the bedside table taking advantage of its proximity to a serenely sleeping body." - Matt Kadane
Original 1996 album remastered and pressed on 180 gram virgin vinyl.
"Beheaded was such a quiet record out of necessity. I was living in a small apartment. Some of the songs I did are really quiet with no drums because I couldn't think of anything to do, we couldn't practice, and I didn't want to wake up the neighbors. It's a definite case of environment affecting the creative process." - Matt Kadane
Original 1998 album remastered and pressed on 180 gram virgin vinyl.
"I met them in full flower, in the depths of their mania, pursuing contemplative music with the kind of intensity normally found in psychopaths. No detail was too small to sweat, no crack in the veneer not worth gluing and clamping. We built a common language, equal parts philosophy, rock music, and disdain for the dullness around us." - Steve Albini, on recording Transaction De Novo
The complete studio recordings of Dallas, Texas, slow-core pioneers. Every cymbal crash, guitar brush, and whisper, across five LPs or four compact discs. Deluxe box includes WhatFunLifeWas, Beheaded, Transaction De Novo, and an additional disc overflowing with singles, EPs, and outtakes, alongside a perfect bound book dissecting the quintet's nervous slouch through the '90s.
"I met them in full flower, in the depths of their mania, pursuing contemplative music with the kind of intensity normally found in psychopaths. No detail was too small to sweat, no crack in the veneer not worth gluing and clamping. We built a common language, equal parts philosophy, rock music, and disdain for the dullness around us." - Steve Albini
Celestial Shore's second album, Enter Ghost, is a directive, a confession, and a confrontation. It's the reflection of its makers - Sam Owens, Greg Albert, and Max Almario - and the followup to 10x, their 2013 debut. It's a rock record, and one with the power to time travel with its instruments intact: the electric guitar, the electric bass, and the drum kit.
This musical skeleton is sentient. It rattled and rolled us here only sixty years ago. We've danced with it. We've dissected it. Celestial Shore's rock, sometimes appended with words like "art" and "angular" (words that could describe all music), has actually wiggled every which way since birth. It starts and stops with both intention and abandon. Sometimes it's saying three things at once. Sometimes it's saying one. It sounds a lot like love.
Recorded in the band's Brooklyn hometown last winter and road-tested on tour with Deerhoof in the spring, Enter Ghost is out on Hometapes this Fall. It begs to scratch its name into every tree... in a forest planted by the Zombies, Hendrix, and the Pixies.
Oh, and "Gloria" isn't about a girl. It's about New York City.
For their third full-length for Sacred Bones, Cult of Youth have delved deeper into their style of punk-influenced psychedelic neofolk and created a self-described "post-industrial Pet Sounds." Using acoustic and electronic instruments, found sounds and an extensive tribal rhythm section, Cult of Youth have put it all out on the table and left us with their magnum opus.
Dream Police is an American musical production by Nick Chiericozzi and Mark Perro. The project began in 2010 as a reservoir for ideas which had overflowed from The Men's drain pipe. In that same year, a two-song cassette single was self-released, with a follow-up live document in 2011. Most recently, the duo has conceived an LP with longtime sonic partner, Kyle Keays-Hagerman from late 2013 through early 2014. Although the production began using the most conservative rock and roll devices, it slowly plumed into a cloud of future primitive psychedelia bursting with glimmering electronics and cinematic, vibrato storytelling. Dream Police are brutal, erotic and overlit.
As time has settled things, the fossils of Frontier Ruckus' first records remain, but a new rolling house has been built upon it by the band, as if pulled from show to show, tour stop to tour stop. Matthew Milia and company aren't stopping. There's some place to be. Now 6 years on from their first full length, lauds from NPR, Paste, Rolling Stone, and Daytrotter in the rear-view, and remnants of tours to Europe and each corner of these United States scattered in fanny-packs and hollow-body guitar cases, Sitcom Afterlife, set to arrive November 11th, 2014, speaks with a more compact and frontal approach. In these new songs Frontier Ruckus isn't retreading those two-lane highways they've came on, but leaning forward - there's a structured forward motion to this collection, a sense of urgency toward the present, and a brevity that speaks of immediate passion - not disregarding that lived-in past but also not forlornly dragging it behind this shiny-new Airstream trailer that is Sitcom Afterlife.
Completed in just two weeks between the sub-zero conditions of commuter town Cornwall, New York and the heart of Brooklyn, Wooden Aquarium marks the apex at which Mazes' music to date meets. While debut album A Thousand Heys was recorded on a boat and recent album Ores and Minerals was recorded across numerous takes in the back room of Dalston's Shacklewell Arms and Jack's bedroom, Wooden Aquarium has brought Cooper, drummer Neil Robinson and bassist Conan Roberts together in a studio again. Recorded completely live and laid down entirely onto beautifully thick two-inch tape, the trio also had company in enlisting the skills of Parquet Courts' producer Jonathan Schenke.
Akin to Field Music's articulate songwriting prowess and the punky guitar rhythms of The Feelies or Television, and see-sawing between extreme confidence and self doubt the record is packed with hypnotic lo-fi pop melodies and motorik rhythms bolstered by spiky hooks and Cooper's distinctively carefree vocals.
Announcing the new album from Serengeti - Chicago rapper and Sisyphus band-member (w/ Sufjan Stevens & Son Lux). Kenny Dennis III continues the saga of 'Geti's blue-collar character, featuring sizable contributions from Anders Holm of Workaholics.
The music of SONY Playstation's Hohokum mirrors the game's eclectic and detailed landscape, with a wide selection of Ghostly artists contributing their songs. Between musicians and producers like Tycho, Shigeto, Matthew Dear, and Com Truise, the soundtrack is a fully realized exhibition of contemporary electronic sounds. The Hohokum Soundtrack arrives on August 12 as a 22-song digital compilation and on October 28 as a rainbow-colored 12" vinyl sampler featuring seven special cuts.